Arts
fromElite Traveler
1 day agoThe Art Exhibitions and Museum Openings Worth Traveling For in 2026
2026 features significant art exhibitions that warrant travel, showcasing unique experiences and rare artworks across Europe.
"Technology is both the remedy and the poison," artist Cao Fei quotes Bernard Stiegler, emphasizing the complex relationship between technological advancements and their impact on human practices.
Pilar Zeta builds environments like dreams that feel like stepping into a thought mid-formation. Her sculptural works take shape in the form of portals and objects that invite direct engagement, as visitors are invited to walk through them and notice subtle shifts in perception.
Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
"It's a really special spot. When you start at the top and move down the gently sloped ramp, you almost feel like a marble tumbling down, looking at art as you roll by. The slight slant plays with your sense of perspective and grounding."
In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.
The stellar collection of 30-plus Venice paintings from the artist's 10-week visit in 1908 is smartly framed by additional materials. Visitors get exposed to historic photographs of the city, as well as of the Monet couple visiting, and are provided with lots of quotations from the artist about his approach to art, process and subject.
"After I first visited Mérida in 2013, I was amazed by the heritage, artists and its art school-now a university-yet I noticed a lack of local exhibiting programmes. Since then, I began dreaming of a biennial which would strengthen and draw visibility for contemporary art in the region."
Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.