#arts-politicization

#arts-politicization

How long can you silence the very thing that makes you human? Ai Weiwei's new book On Censorship draws on a lifetime of fighting state control and reflects on the harms of censorship.

Today's prominent founders and investors communicate in a visual grammar that shares a great deal with the aesthetic languages of Italian Futurism, primarily, but also of 'return to order' neoclassicism, World War II-era propaganda, and modernist museum branding.

On the morning of the Unite the Right rally, I lumbered down the staircase of a Catskills Airbnb rented for a bachelor party to learn that only hours before, a gang of white nationalists stormed the University of Virginia campus wielding Tiki torches and chanting, 'Jews will not replace us.'

In 2024 alone, authorities imposed 304 internet shutdowns across 54 countries - the highest number ever recorded. This reflects a growing trend of governments treating connectivity as a weapon.

Faiz Shakir, executive director of More Perfect Union, stated, 'We're hoping that an economic populist movement for the next generation will start through More Perfect Union on campuses.' This reflects the organization's goal to mobilize students around economic issues.

Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.

ArtsLink is envisioned as an essential community resource that aims to increase visibility, spur audience engagement, and strengthen the local arts and culture ecosystem.

In 1979 the revolution happened, and now Tehran looks like something from an earlier century. Sometimes I think that our whole world has become kind of like that-going backwards in time.

Knowles's performances, such as Make a Salad and Identical Lunch, showcased her unique approach to art through food, engaging audiences in the experience of preparation and consumption.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

Riot Queens, takes that real act - which sparked San Franciso's 1966 Compton's Cafeteria Riot, the first known full-scale riot asserting transgender and gay rights in the U.S. - and explores the emotional boiling point that led to it.

The work of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning wound up as part of a secret CIA program during the height of the Cold War, aimed at promoting American ideals abroad.

On a cool winter night in Los Angeles, dozens gathered to protest the Trump administration's attacks on the arts and the recent federal immigration raids in southern California. But these protestors didn't carry signs or chant in front of a government building they recited poems such as Antifa Tea Party and Love in Times of Fascism. They performed anti-fascist improv to a small but lively crowd at The Glendale Room, a library-themed theater, as part of the monthly show Unquiet: A Night of Creative Resistance.

Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.

A socioeconomic duty on public bodies was included in 2010's Equality Act, but has never been enacted. Now Class Ceiling, a review from Manchester University, co-chaired by the former chief prosecutor Nazir Afzal, is calling for change. It wants class to be made a legally protected characteristic like race and sex (and several others), to address the class crisis in the arts not just in the north-west but across the UK.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

These cuts threaten shovel-ready projects, major employers, and rural and urban communities across the state. And they come at a time when [Oregon] arts funding is already among the lowest in the nation. Legislators had been considering cutting nearly $900,000 in arts and culture funding when the session started on Feb. 2.

As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.

It's impossible to imagine New York City without art, or contemporary art without New York City. This is where you come to see the best of the best, or to take part in making it. This country's international standing is down in the gutter, thanks to Trump, but this city is still a living, rolling dream. Right now, we're waiting to see who's going to be Mayor Mamdani's pick for cultural affairs commissioner. It's an important role that determines where the city's budget priorities will lie and who'll get a seat at the table. Gonzalo Casals, who served as culture commissioner under Mayor de Blasio, and Mauricio Delfín, who co-directs the Culture & Arts Policy Institute with Casals, have some urgent thoughts on the matter. It's a must-read not just for Zohran (send him a link if you're on texting terms), but for everyone who cares about art in this city.