#asif-kapadia

#asif-kapadia

Ira Sachs, who emerged from the New Queer Cinema movement of the '90s, has become one of the most accomplished & revered directors of his generation, crafting achingly intimate stories about love, friendship, and desire.

Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.

Kawamura found ways to give Exit 8 an emotional center that the game lacked while still capturing the uncanny experience of walking down the seemingly endless tiled hallway.

Call me racist, call me a misogynist, call me homophobic, call me a scammer - I'm all those things. I don't care. This is the general population of the UK right now, scattering to make comments online about me. They don't know me. They don't know my purpose.

Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS' workforce, have been unable to receive benefits. Wages aren't rising at the same rate as the cost of living.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

Anticolonialism, Ontology, and Semiotics draws upon Africana anticolonial philosophy-especially the work of Frantz Fanon and two of his most influential interpreters, Eldridge Cleaver and Sylvia Wynter-to develop a basic analytical model for doing anticolonial political theory. I wanted to show that there is something distinctive, something special, to be found in this tradition of thought that has not been fully appreciated by philosophers and theorists in other fields.

Davidson, a professional photographer and owner of Glasgow-based Studio Snap, is celebrating his strongest trading year to date, with revenues up more than 70 per cent in 2025. The surge follows his memorable appearance on series two of The Traitors, which turned him into a familiar face for millions of viewers, and, unexpectedly, a powerful brand amplifier for his business.

Cinematography isn't about beautiful images. It's about producing a whole series of images that serve a story. If I come out of a premiere and somebody says, 'Oh, I love the shot when such and such ...' I know I've made a mistake.

Filmmaker Simplice Ganou, from Burkina Faso, spends his time documenting people and relationships, but when he travels to Winterthur, Switzerland, he faces a new challenge: nobody wants to talk to him.

From Reality (2023), Tina Satter's true-to-life portrayal of whistleblower Reality Winner, which progresses in real time from harmless small talk to a full-blown FBI grilling, to Radu Jude's Uppercase Print (2020), in which a rebel teen is given the third degree in Ceausescu-era Romania, the title-card proclamation inspired by true events is being taken to a wholly literal new level.

Best documentary has become the toughest Oscar category to predict in recent years, especially when it comes to nominations. The documentary branch has become famously quirky in recent years, passing over such populist, acclaimed, and decorated titles as Won't You Be My Neighbor? , American Symphony, and Super/Man: The Christopher Reeve Story . Past performance is no guarantee of success-I've even heard rumors that some voters will refuse on principle to nominate a film by a previous Oscar winner-and geography is not destiny.

Some years ago, Akinola Davies Jr received a short story written by his brother Wale, who was then living in Nigeria and working as a screenwriter for TV. The result of a writing exercise, Wale Davies's story was titled My Father's Shadow. "He sent it to me, really unprompted," Davies Jr remembers. "I cried, as you can imagine, because our father passed when we were really young. I would have been 20 months and I think he would have been about three years old." That story would become Davies Jr's Bafta-nominated debut feature My Father's Shadow, a magical portrait of two young brothers enjoying a rare day out in Lagos with their beloved, enigmatic father, told from the boys' perspective.

The Voice of Hind Rajab has been nominated for an Academy Award for best international feature, a recognition for the Tunisian film that features the voice of a 5-year-old girl whose phone call begging for help was heard across the world before she was killed by Israeli forces in Gaza. The film is a mix of a documentary and drama that weaves in the recordings of Hind's phone call along with scripted, dramatized scenes of Palestinian Red Crescent dispatchers as they agonized over trying to save her. It was nominated alongside four other films.

I'm autistic and 127 Hours has been my special interest for nearly 15 years,

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days