A vision lay before him: Fleet Street blanketed with snow, silent, empty, pure white, and, at the end of it, the huge and majestic form of Saint Paul's Cathedral. It was a spellbinding moment: the great thoroughfare temporarily devoid of carts and carriages, the cathedral looming blurrily out of the still-falling snowflakes a real-life snow globe.
Freezing, knock-kneed and shivering in a tartan pleated skirt. A withering bunch of shamrock attached by safety pin to the only green jumper I owned, still damp from its overnight submersion and the splash of holy water from early mass. A grey, damp day, squashed up against a cold metal barrier since early morning, to 'get a good spot', a red line for my father.
Look, he's lucky I exist. That's all I can say, because if you're gonna allow countries that are sick and demented—and they are demented—to have nuclear weapons everybody in the whole world should be very thankful, and I'm disappointed in NATO. Very disappointed.
Dolores possessed a voice that could reach deep into your soul. A voice that could carry a sense of joy, but also sorrow in each and every note. Her music was synonymous in every kitchen, pub and dance hall the length and breadth of the country. Dolores was also so popular, simply for her unrivalled sense of wit and kindness that touched the lives of so many.
From the outset, in the novel's prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with actual events, evidence-based or relying on historical data. No, Anna is interested in the climate of the psyche and the vibrations of the soul. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?
Lying in my bed, I listened to what sounded like a woman screaming outside in the dark. I picked up my pen. A month of living in this Icelandic village and I was still unaccustomed to the impenetrable January gloom and the ferocity of the wind; its propensity to sound sentient. I had started to feel like the island was trying to tell me something, had a story it wanted me to write.
After a serious illness, the comedian decided to take her doctor's advice and lose weight. Here, she talks about her complex relationship with her body, the lifelong abuse she received because of her appearance and healing the inner hurt that weight-loss medication cannot address
There has been progress in the diversity of texts on offer in the GCSE English literature curriculum, but uptake in schools is still low with just 1.9% of GCSE pupils in England studying books by authors of colour, up from 0.7% five years ago, according to a report. Compiled by the campaign group Lit in Colour, the report says progress is too slow and that
When the gunmen came for Jimmy Graham they were thorough. They fired the first two shots as he parked his bus in the school yard, then boarded the bus and fired another 24 shots. As the killers sped away they whooped in delight. Yahoo, they screamed. Yahoo. It was 1 February 1985 and the IRA team had special reason to celebrate: it had bagged a third Graham brother. They had killed Ronnie Graham in June 1981, Cecil Graham in November 1981 and now, just over three years later, they got Jimmy. A hat-trick.
I suppose every part of me, I wasn't well, I was physically drained, I had lost loads of weight, I wasn't sleeping, and it crept up on me very quickly. I'd had some kind of virally things, but didn't think they were significant until I was hit with this. I suppose it was like a bolt from the blue, where I was knocked sideways and couldn't keep going.
Finnegan's Wake: An Immersive Ghost Story, presented by 13th Floor Theater, plunges audience members into the beautiful, dysfunctional Finnegan-Plurabelle family. Scenic designer Treigh Buchet, lighting designer Meghan Schultz, and ephemera designer Michelle Josette Crashette transfigure the San Francisco Mint into an Irish family home on the banks of a mystical river. Audience members are free to explore the spaces before the show begins with libation in hand. When the dinner bell rings, the show commences.
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
"I've become a mom and I'm in a wow moment of my life that I never expected, and it's such an honour to come home and share this with you," she said. Buckley gave a nod to her co-star Paul Mescal in her speech. "I know everyone is sick of me talking about how much I love him, but I love him, and to Kerry for reminding me of my own wildness," she said.
Liadan Ní Chuinn was born in Northern Ireland in 1998, the year the Good Friday Agreement ended the Troubles, the decades of violence stemming from England's occupation of Ireland. Other recent fiction about the Troubles-the novels and Trespasses , the TV show Derry Girls (all excellent)-is set firmly in the last century, relegating the violence to history. Ní Chuinn's work does the opposite: Their new book of short stories, Every One Still Her e, is set in contemporary Northern Ireland.
It is the summer of 2019, and Sophie Evans, the reckless protagonist of Rhiannon Lucy Cosslett's unsettling second novel, has arrived on an idyllic island in the Cyclades with her university friends Helena, Iris and Alessia to celebrate Helena's forthcoming marriage. Helena doesn't want it called her hen Like we're dumpy little featherbrains going cluck, cluck, cluck, but all the same, the men including Sophie's curator boyfriend of six years, Greg will not arrive for another five days.
Because, let's face it, creative work does require some form of faith. It is a tumultuous thing to launch an idea into a vast nothingness and hope that it makes a light bright enough to be found by others. Luckily, these luminaries were my light, and I hope they may become yours as well, and - more so - that these snippets lead you to more of their work.