#first-person-cinematography

#first-person-cinematography

Publicly traded companies are by legal definition and requirement completely amoral. They want only one thing, to raise their stock price, and the public good and common decency are just obstacles to be overcome or spun in that quest.

"It's true I spent most of my life being angry at him. The older I get, the more I feel like I never even knew him at all. My image of him now, I know, falls flat compared to reality."

The first half of the movie plays out as an intimate chamber piece between Mary and Sam, the two of them rehashing long-buried grudges and betrayals, as we get occasional flashes to Mary's extravagant concert performances.

The film's title, an obvious reference to profanity, also alludes to an incident dramatized later on, when John, on trial after inadvertently triggering a pub brawl, must give sworn testimony in court.

Nair calls Ray a beacon for her, emphasizing the impact of his work on her perspective of cinema and storytelling in the context of Indian culture.

Film is like that. It developed from [the silent era] into Fellini and Bergman, Buñuel and David Lynch. [They] took these ideas and created a film that was really like a dream.

The gunshot scene in Bambi allows the audience to build fear, making them feel as frightened as Bambi, with visuals that resemble looking through tears.

Julian of Norwich, after a mid-life illness, experienced feverish visions of Christ's crucifixion, leading to a deep devotion to the Catholic church and a vow of seclusion.

Sklar's indefatigable, but his cachet has waned. Where his early paintings now sell for millions, he can barely give his more recent work away.

"We were filming in London, so we were in our own beds at night. That's not often the case. Middle-earth, you're not in your own bed."

In a bustling Boston café, Charlie is instantly smitten with Emma, who is quietly reading a novel. He approaches her, gushing about the book, only to realize she hasn't heard him.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

Anticolonialism, Ontology, and Semiotics draws upon Africana anticolonial philosophy-especially the work of Frantz Fanon and two of his most influential interpreters, Eldridge Cleaver and Sylvia Wynter-to develop a basic analytical model for doing anticolonial political theory. I wanted to show that there is something distinctive, something special, to be found in this tradition of thought that has not been fully appreciated by philosophers and theorists in other fields.

Jordan Lage is an award-winning actor, writer, director and founding member of the Atlantic Theater Company, which celebrates its 41st anniversary this year. He studied acting at New York University under the tutelage of playwright David Mamet and actor William H. Macy and then taught acting and playwriting at the Atlantic Theater Acting School for nearly 30 years. Best known for his work performing the plays of David Mamet's, he

The invention of the Cinématographe was ready right away. The process of the invention was longer, and there were a lot of inventors before Lumière.

Filmmaker Simplice Ganou, from Burkina Faso, spends his time documenting people and relationships, but when he travels to Winterthur, Switzerland, he faces a new challenge: nobody wants to talk to him.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.

From Reality (2023), Tina Satter's true-to-life portrayal of whistleblower Reality Winner, which progresses in real time from harmless small talk to a full-blown FBI grilling, to Radu Jude's Uppercase Print (2020), in which a rebel teen is given the third degree in Ceausescu-era Romania, the title-card proclamation inspired by true events is being taken to a wholly literal new level.