The Sixth is one of the hardest symphonies to tame. Bychkov leans into the contrasts, the Alma theme glowing with inner fire and a slow movement that shimmers like a limpid Austrian lake.
Fast forward a few decades and John Wilson is still hand-picking musicians and still serving up performances so polished they leave critics scrabbling for superlatives. These days Wilson's main outfit is the Sinfonia of London, and he is as likely to be conducting the symphonic mainstream as showtunes.
The Austrian pianist's expressive, emotional playing may grab the headlines, but it's the unerring sense of underlying architecture that's the thread through her long career. We heard that here, not just within each of the works, but in the shared foundations, and sometimes secret connecting passages, she revealed between them.
I'm a harmonica and accordion player and one half of folk-classical duo Stevens & Pound. As a multi-instrumentalist I am rooted in a folk tradition that is oral, aural and communal. Music and song are passed down by ear, either through recordings or more fun traditional music sessions. Here, players and singers get together to share, swap and play tunes, drawing from a repertoire that is always evolving.