#horror-films

#horror-films

It's just something that naturally happens when you're writing different projects [at the same time]. The tie-in is not even on screen.

Over her 60-plus-year career, Veronica Cartwright has become known for her roles in memorable horror films, returning to the genre in 'The Ruse'.

Corman helped launch the careers of many of your fave directors and actors, including Martin Scorsese, Jack Nicholson, and James Cameron, celebrating subversive filmmaking.

As Disney Parks lean heavily into modern intellectual properties, Universal has decided to marry the latest ride technology with an intellectual property that dates back several decades.

It's disquieting coming upon this clown, and we, alongside the character wielding the camera, start. The clown's proportions match exactly those of a person, and we expect it to move, but it doesn't.

Ryan Coogler going full-gear horror genre is a beautiful thing. Trailers for Sinners bring bloodthirsty mischief to a 1930s Jim Crow-era nightmare that's giving From Dusk Till Dawn vibes.

Austin Abrams is in early negotiations to star in the new Resident Evil reboot directed by Zach Cregger, promising a return to the franchise's horror roots.

I loved Richard Attenborough because he was like a mentor to me, single-handedly done more for my career. He took me under his wing.

Every night, every time it resets, it's a new horror genre... To me, who's been wanting to do a horror movie for forever, it was great to get to do all of it.

The Dark Universe, intended to revive classic Universal Monsters, quickly collapsed after the disappointing performance of The Mummy; showcasing the challenges of creating shared cinematic universes.

2025 is poised to be a captivating year for horror films, featuring an impressive lineup of vampires, werewolves, ghosts, and more, with Halloween-like themes year-round.

"They're capitalizing on the incongruity of this comic book character in a different genre and they get a lot of buzz, but...the things that we still talk about that stand the test of time don't tend to be these buzzworthy, kind of ew, grossed-out features."

Perhaps unsurprisingly for a group that self-selects for gothy wallflowers, 'horror people' tend to have a bit of a persecution complex. As such, there's one eternal truism we see over and over in analysis of the genre: horror gets no respect. This both is and isn't true, for reasons that have been discussed to death (no pun intended). What's more interesting to me, at this point, isn't why horror is inherently niche despite being extremely popular. It's how to leverage that popularity.

A great witch movie is inherently compelling because it's driven by a person - a woman, usually - who refuses to behave the way that society demands.

Laurie Strode's appeal as a final girl lies in her defiance and resourcefulness, reflecting the experiences of those faced with external threats, including homophobia.

The marketing for Zach Cregger's high-concept horror movie 'Barbarian' relied heavily on secrecy, hinting at a scary plot while avoiding details to maintain suspense.

The Saw series, with its intricate and brutal death traps, has become a defining hallmark of horror storytelling, with Jigsaw’s traps often eclipsing even the victims.

Francis Ford Coppola’s 'Twixt' is a unique blend of surreal horror and comedy, showcasing a horror novelist's bizarre encounters in a dreamlike small town setting.