There are times in a TV critic's life when a series to which they are assigned inspires them to write reams of text, sometimes because said series is good, sometimes because it's bad. Then there is what I like to call critic purgatory, when the series inspires nothing. Neither impressive nor dreadful, the series is adrift in the doldrums of artistry. If they handed out Emmys for dull television, then I am certain "Hostage," a limited British series now airing on Netflix, would make a clean sweep.
Director Guillermo del Toro began publicly speaking about wanting to adapt Frankenstein in 2007 when he told Jo Blo that he "would kill to make" a "Miltonian tragedy" version of Mary Shelley's classic. In the intervening years, the film began to take shape. Confirmed for Universal in 2008 with Doug Jones as the monster, it was shelved for the Dark Universe, per Jones himself.
Netflix initially implemented CQRS for Tudum, utilizing Kafka and Cassandra to optimize read performance while a third-party CMS managed content updates through a dedicated ingestion service.
Dan Levy's latest Netflix venture, Big Mistakes, has begun production and features a cast led by Levy and Taylor Ortega as two incapable siblings blackmailed into organized crime.
Margo is the queen bee of suburban Maple Brook with a wide smile and cowboy boots that hide an array of secrets: an unstable childhood in a trailer park, an ascension to her businessman husband's side through sex work, and an array of extramarital relationships.