The 70-20-10 Rule is simple: 70% of a room's textures should be smooth or matte, 20% should be plush or soft, and 10% should be hard, shiny, or raw. The dominant matte texture is calming and provides the visual base (think: matte painted walls, smooth wood floors, or a linen sofa). The plush or soft elements, such as a bouclé or velvet chair, a chunky knit throw, or a deep-pile rug, invite touch and add warmth.
You know the feeling: The paint is dry, the furniture looks good, but somehow the whole thing still feels unfinished. Designers have a trick for that, and it's surprisingly easy. Called the "Sandwich Method," it helps to create a sense of balance in a room through echoing a color at the top and base of the room - and letting the center section fall into place.
Second, please also note that the Chinese restaurant Poon's, by Amy Poon, scion of the Poon's restaurant dynasty, recently rooted itself in the New Wing. Ice-skating itself I have nothing against, but we can all agree that these slippery yuletide stampedes on temporary rinks are the polar opposite of festive, so surely it would be far better to be hiding indoors in the warmth with a round of prawn wontons, a bowl of nourishing magic soup, or some wind-dried meat claypot rice.
Text description provided by the architects. Inspired by sci-fi set design, Gelato Messina Cronulla draws from romantic visions of the future. A grid of oversized, underlit circular lights hovers over a space that is many things at once: gritty, reflective, warm, and bold. Our fourth project with Gelato Messina, the brief was to evolve both the brand and the spacesomething unique and distinct from their other stores, something experimental and futuristic.
it's little surprise that Clara Jung and her husband, Sam Zun, found their own countercultural path there. For more than a decade, the Bay Area lawyers escaped to Sea Ranch rentals each New Year, a head-clearing ritual through fertility struggles, the surrogacy journeys that brought their two children into the world, and Jung's pivot from corporate law to interior design.
Bottega Veneta has opened a new store at 58 Gansevoort Street in New York's Meatpacking District. The 312 square-meter interior occupies a ground-floor footprint within the low-rise fabric of the neighborhood, maintaining direct visual contact with the street through a restrained storefront and generous glazing. The plan reads as a sequence of open rooms rather than a single continuous floor. Sightlines extend from the entry toward the rear of the store, where shelving structures and freestanding furniture establish depth without enclosure.
Long before a refreshing mint julep can hit your lips, grain must be malted, milled, mashed, and fermented, the resulting wash then distilled to concentrate the alcohol. Maturation can take years in a barrel to achieve the desired color, flavor, and smoothness. Good taste takes time. And the same can be said of decorating, as the AD100 titan Robert Stilin discovered while transforming a historic house in Louisville, Kentucky-a labor of love more than a decade in the making.
She would attend events like Burning Man and Ondalinda with friends and party through the night, but upon returning home she kept running into the same issue. "Everything closes just when you feel like you're about to have a great, long evening out," she says. "And things can get messy during the wee hours of the morning at clubs - if they're even open." The only solution, naturally, was to design a private nightclub in her own home.
"This house needed a heartbeat, a pulse, a jolt to bring it to life," says AD100 designer Frances Merrill of Reath Design, describing her resuscitation of a gloriously situated but otherwise undistinguished Aspen mountain retreat from the 1990s. "This wasn't a house that had a lot of history to go back to, so there were questions. How much Alpine do you bring in? How do you conjure a sense of place that feels right for Aspen-and for this family-without resorting to clichés?"
"Every home should have soul, and there is no more effective way to give your home a heartbeat than sourcing vintage," proclaims Alec Broughton, an antique decor expert and founder of Aulde, a Colorado-based design house that restores vintage furniture. As it turns out, home decorators are all-in on adding that pulse. According to the firm Market US, the global market for secondhand furniture is expected to double over the next decade, from $40.2 billion in 2024 to a projected $87.6 billion in 2034. Like vintage clothing, secondhand furnishings are in high demand-and for good reason.
What Chen could not yet know was that this pursuit of simplicity would kick off a decade-long journey that stretched far beyond windows. It would draw in designers from across continents, ambassadors who believed in beauty as connection, and a community of creators bonded not by geography but by a shared desire to design with care. TWOPAGES would become a space where creativity became communal.
At a moment when independent cinemas across Europe are dimming their lights for good, Louis Denavaut breathes new life into the historic venue of the Elysées Lincoln cinema in Paris, France. The architect creates a sequence of atmospheres for this project, reflected in three distinct interior worlds that are clad in various materials and colors, from hushed velvet greens to saturated pinks and soft pastel tones.
The best part? For a shade with so much personality, olive green still plays well with others. Its current popularity can at least partially be attributed to the fact that so many hues pair beautifully with it, from chocolate brown to powder pink. It's a storied shade that masquerades as a neutral, giving designers and homeowners alike the best of both worlds as they build their palette and room's design scheme.
In Korea, folktales don't begin with "Once upon a time." They begin, "Back when tigers used to smoke"-a phrase invoking an impossibly distant past when anything could happen. The phrase comes to life the moment you step inside the 1820s former farmhouse in New York's historic Hudson Valley that interior designer Young Huh calls home. Open the door and sure enough there's a classic center hall with wide-plank floors and a stair with a polished wood banister.
Staging a home can often conjure up images of a total transformation: A homeowner's belongings removed to make way for different furniture and replaced artwork. This kind of staging (known as vacant staging, as the home is typically sitting vacant) is a great way to demonstrate a home's potential and appeal to buyers with brand-new and trendy furnishings. But it's also typically more expensive, as the stager will decorate the space from scratch, hire movers, and possibly buy new pieces if they don't have furniture appropriate for the project.
In the villa town of Långedrag, just outside Gothenburg, Artilleriet co-founder Christian Duivenvoorden lives with his partner, Björn, their son, Niko, and the family dog, Minou, in a 19th-century Jugend villa that has quietly evolved over time. Designed with the precept that a home is never finished, the house-like Artilleriet, the beloved Gothenburg design shop Christian founded 15 years ago with childhood friend Sofie Ekeberg-reflects an ongoing process of change and refinement. The interiors weren't overhauled but adjusted: new tones and updated furnishings were introduced to bring warmth and continuity.
As the name implies, pattern play involves styling different patterns together to craft vibrant spaces that are visually arresting and showcase the homeowners' distinctive personal style. Pattern play is full of possibilities - from checkered curtains with floral wallpaper to a statement rug and a striped couch, any and all surfaces in the home can be experimented with.