#lynchian

#lynchian

Guillermo del Toro's Frankenstein earned nine nominations ahead of the 98th Academy Awards, but he did not win the Best Picture award despite the film's success in other categories.

The illicit thrill of hidden desires definitely propels Night Stage, a riveting queer noir about an up-and-coming actor Matias and an aspiring politician Rafael who begin hooking up in public spaces.

Kick off with Ridley Scott's 1982 OG Blade Runner: The Final Cut, which stars Harrison Ford as a special agent on a mission to exterminate escaped androids. Ford is joined by Ryan Gosling in the Denis Villeneuve-directed Blade Runner 2049, which is sure to whet your appetite for Dune: Part Three - hitting cinemas this December.

Dead Lover's heroine is odorous by trade, a lovelorn gravedigger of indeterminate age and origin. Glowicki's accent, roaming between Canada, Canvey Island and Canberra, becomes part of the fun—she's driven to extremes after her verse-spouting poet sweetheart perishes in a shipwreck. Part-Burke and Hare, part-Victor Frankenstein, she salvages what she can of the corpse.

Memento provides a Rosetta Stone to decode deeper meaning within his larger-scale efforts, offering a window into the complex paradoxes that add thematic weight to his intricately plotted stories. Nolan's films often jump from a familiar genre archetype. In Memento, Guy Pearce's Leonard Shelby recalls the weary antiheroes of film noir, but his filmography is full of familiar figures ranging from superheroes to great men of history.

Eyes Wide Shut was stranger than that: a meditative art film whose much-hyped orgy scene is more creepy than sexy, run by a cabal of rich and powerful men who prey on young women.

Dad Gets Tattoo So His 6-Year-Old Daughter Wouldn't Feel Different 21 Watercolors That Show How The Sun And Shadows Change Cities The Designer Reveals His Suggestions for Redesigning Famous Brands Naive, Super: Lovely Paintings by Angela Smyth Creative Spontaneous Sketches of Faces and Figures by Pawe Ponichtera Logo Artists Reinterpreted 38 Of The Most Recognizable Logos With A Single Unbroken Line Artist Paints While Under The Influence Of 20 Different Drugs The Uncannily Realistic Landscapes Of Carolyn H. Edlund

Fargo feels like Blood Simple, the Coens' neo-noir debut, got fed through the genre, well, woodchipper, producing a pitch-black comedy about the emptiness of greed. It's messing with you from the moment it opens with a blatant lie about being a true story, with Joel Coen later saying, 'If an audience believes that something's based on a real event, it gives you permission to do things they may otherwise not accept.'

The new FX series The Beauty opens in Paris, as a model played by Bella Hadid strides down a fashion show runway to the tune of Prodigy's "Firestarter." Then, she starts to overheat, going on a rampage that involves grabbing bottles of water out of people's hands, stealing a motorcycle, drinking out of a toilet, and eventually meeting a gruesome, explosive end.

To pass the time, the pair play a game they've shared since Daughter's childhood, triumphantly rattling off palindromes - words that read the same backwards and forwards, such as "m-o-m," "d-a-d," "s-i-s" and "r-a-c-e-c-a-r." As the game gets increasingly complex ("name now one man"), it becomes clear that Dana's play is a dark palindrome itself, where circling dialog and damaging relationship dramas repeat themselves.

Kyle MacLachlan (Washington, 66 years old) is not used to contemplating the apocalypse. It's enough to make it to the end of the day, the actor jokes from his Los Angeles home. In one hand, he holds a cup of black coffee a la Agent Cooper from Twin Peaks, and in the other, a fistful of nuts. I'm going to eat breakfast while we talk, he warns, with his habitual blend of amiability and oddity.

Who needs all those notes? I got tired of that. Really, really tired of that. And I'm like, man, if you're in the arts, you should do everything you can to protect your art. So Campbell knew he wanted to make a movie, and he knew he didn't want to go through the big Hollywood machine.

I try to be a sophisticated TV viewer. I watch as many miniseries as I can, keep up to date with the latest in Prestige TV, and make sure I don't miss out on any sleeper hits. However, I'm also self-actualized enough to admit that I love my fair share of slop. I religiously watch RuPaul's Drag Race, 90 Day Fiancé, and whatever weird reality craze has grasped pop culture.

For playwright Kallan Dana, having Racecar Racecar Racecar produced at Artists Repertory Theatre is a special homecoming. "I feel so lucky to get to come back and do a show there," she says. "The Portland theater scene was such a huge part of my childhood and adolescence." Now living in Brooklyn, Dana grew up in Multnomah Village. Theater was a huge part of her childhood, her parents often took her to Artists Rep shows,

Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

After spotting that Eli's rash guard conceals a red, flaky skin disorder, the boys have concluded that he has the titular plague, a contagious disease that affects social standing as much as it does dermatological well-being. If anyone ever touches him, they must thoroughly wash themselves before they're considered full-blown infected. Even something as innocent as Eli sitting at the same lunch table sends his teammates running and screaming.

Sam Raimi is one of Hollywood's finest purveyors of junk. I say this with love and reverence, and with full acknowledgment that he's the man behind such masterpieces as Evil Dead II and A Simple Plan. But the director has spent decades digging for gold amid pulpier genres, turning out oddball horror, thriller, and comic-book movies. As his career went on, Raimi graduated to making blockbuster versions of junk, including the first Spider-Man trilogy and, most recently, a Doctor Strange sequel for Marvel.

I'm thrilled with any chance to collaborate with the Harvard Film Archive and to make use of Harvard's collection. I've taught several of Kubrick's films in different courses over the years, but never all of them together and never on the big screen. It is a unique opportunity. The HFA is one of Harvard's treasures. I'm really grateful to them for making this happen.