#mare-of-easttown

#mare-of-easttown

Margo's love for her son Bodhi is palpable, with Elle Fanning portraying her emotional journey as she navigates financial struggles and personal challenges.

Clark's breakdown at the community pool symbolizes the emotional weight of male loneliness, contrasting the facade of the all-American family with genuine human connection.

You two are like pieces of white bread. You can get away with anything in this country.

The Truth and Tragedy of Moriah Wilson on Netflix is so good. I've followed this case since day one, and I'm so glad they finally did a documentary that honours her life and brilliance as an athlete, not just the tragedy.

The Pitt is set in almost real time over a single shift in the overstretched emergency department of a busy Pittsburgh hospital, showcasing the chaos and urgency faced by healthcare professionals.

Bravo's first new addition to the franchise in four years, Real Housewives of Rhode Island, promises to fill the New Jersey-shaped void in our hearts.

Imperfect Women is the latest adaptation to aim for the audience that turned out early this year for The Housemaid: people with an appetite for entertainment that picks apart the domestic lives of the 1 percent, finding something stinky inside the pretty shell of catered parties, volunteer "jobs," and perfectly beribboned gift bags.

Strip Law centers on Lincoln Gumb (Adam Scott), a down-on-his-luck lawyer who was recently fired from his family firm by his dead mother's former law partner, Steve Nichols (Keith David). Gumb's new firm, which is staffed by his wayward teenage niece Irene Gumb (Aimee Garcia) and a disbarred old eccentric named Glem Blorchman (Stephen Root), is on the verge of going out of business because Gumb's unflashy lawyering style can't keep the attention of Vegas's overstimulated judges and juries.

In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend's disappearance- raucous Northern Irish hijinks ensue.

In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.

A fatally overdosed mother called Jacey is unceremoniously bundled into a trunk at the start of this southern US-set drama; the uncredited actor who plays her should probably have a word with her agent, as the role is surely in contention for a world record as the least likely to boost your career. Jacey is just one of the drug casualties littering director Dan Kay's underpowered film about the US's super-strength opioid crisis, as her two bereaved daughters desperately tread water in the aftermath.

What the show captures so well is the price we're willing to pay to stay comfortable, especially inside relationships that feel like oxygen. The college campus, where most of the show's drama plays out, is a particular kind of pressure cooker. In a certain small world, with certain people, during a certain window of time, the need to make things work can override almost everything else.

This is also a great opportunity for those who missed Schitt's Creek during its initial run on the CBC in Canada and Pop TV in the U.S. Created by Eugene and Dan Levy, the series follows temporarily embarrassed millionaire video-store magnate Johnny Rose (Eugene Levy), his high-maintenance soap-opera star wife Moira (O'Hara), and their idiot kids David (Dan Levy) and Alexis (Annie Murphy).

When Laëtitia Hollard showed up for medical boot camp with her fellow on-screen nurses ahead of filming The Pitt Season 2, she didn't realize the show's doctors would be doing their prep on the same day. "It was literally everybody there. ... Noah [Wyle]'s leaning on his chair, squeezing a stress ball," she tells Bustle over Zoom. "It gave '80s cool-kid corner from a movie. And I was walking in like the geek with my notebook, like, 'Hi, guys!'"