Baldwin described the Rust tragedy as unspeakably difficult and very painful, stating it pushed him into a more reclusive lifestyle. He mentioned, 'I wound up staying home a lot. I was home with my kids for three-and-a-half years.'
Marlon Brando's acclaimed screen career is the benchmark for Hollywood's Golden Age. Off-screen, Brando's diet was similarly the stuff of legend, leading to his yo-yoed appearances.
Mickey Rourke is an icon - but his trajectory, as painful as it is, is also a deeply human one. It is the story of someone who gave everything to his work, took real risks, and paid real costs. Fame does not protect against hardship, and talent does not guarantee stability. What remains is a person who deserves dignity, housing, and the chance to regain his footing.
Gritz was a highly decorated Vietnam vet who became a right-wing political figure in the late 1980s and early 1990s, including a long-shot presidential run in 1992. In his post-war career, he was most famous for acting as a mediator in the notorious Ruby Ridge standoff in Idaho in 1992.
The Creek, as you called it when you explained why you were busy on Wednesday nights, blew up out of the box, helping The WB find its teen serial lane along with shows like Buffy The Vampire Slayer and Felicity, and later Charmed and Smallville. Like the characters on the rest of those shows, the kids on The Creek had superpowers, and theirs was the coolest of all: they talked like wise, insightful grownups who'd read a lot of books.
Back when Rousey was the biggest star in the MMA, she achieved that stardom -- and the lucrative earnings that came with it -- by being the most dominant fighter in the sport, man or woman. In 2011, the same year that CEO Dana White said women would "never" fight in the UFC, "Rowdy Ronda" made her pro debut and launched a run of 12 consecutive finishes, all but one in the first round.
As the man who served as Kurt Russell's stunt driving double on Quentin Tarantino's 'Death Proof,' Buddy Joe Hooker deserves Hollywood canonization. There are few modern films featuring car stunts as impressive as those he choreographed and performed in Tarantino's imaginative, high-octane exploitation tribute.
Through our art to battle against fear, self-centeredness, and exclusivity of our predominantly narcissistic culture and through our craft to cultivate a more empathetic and understanding society by revealing intimate truths that serve as a forceful reminder to folks that when they feel broken and afraid and tired they are not alone...we will shelter freaks and outcasts, those who have no home. We will get past the lies.
Is that his character from Babylon? No, that guy's dead (sorry). Is it Bullet Train 2? No, that movie doesn't exist yet. Toward the end of the trailer, however, Pitt's character slams down an Academy Award and that's when it all hit: That's Cliff Booth, the character for which Pitt won his Best Supporting Oscar in Quentin Tarantino's Once Upon a Time ... in Hollywood. Booth is back, but this time he's on Netflix.
As the movie opens, the city is being terrorised by a cult calling itself New World, whose members are hell bent on demonstrating their commitment to a survival-of-the-fittest creed by murdering everyone in sight. Their leader, a fearsome killer nicknamed the Night Slasher (Brian Thompson), wields a giant, spiky knife that must be the envy of Black Metal bands everywhere.
"Scarface" actress Mary Elizabeth Mastrantonio looked like any other New Yorker while riding the subway in the West Village recently. The actress, 67, went unnoticed as she took a seat, wearing jeans, a puffer jacket, earmuffs and mittens, while holding a shopping bag. Mastrantonio made her Broadway debut as an understudy in the 1980 revival of "West Side Story" and three years later made her screen debut in "Scarface," playing Al Pacino's sister.
