"They're everyday professionals who simply don't have the time to shop the traditional way," said Kneen about J. Hilburn customers. Instead, stylists manage fit, fabrics and wardrobe planning, effectively outsourcing the entire process for busy professionals.
Participating in London Fashion Week is not a luxury but a necessity for any emerging brand aiming to go global. It's your ticket to the world of international fashion. - Katie England, Creative Director of Topshop and curator of the New Generation program
I designed this bag in the same way I designed everything else, so largely based on right angles, but perhaps a little more emotionally, more personally. Designing a handbag is undoubtedly different to designing a Braun stereo system, but I applied the same principles. It had to be functional, visually durable, and very aesthetic. Less, but better.
CFGNY is having a big spring. The self-proclaimed 'vaguely Asian' art and fashion collective is in a group exhibition about the production and representation of Asian fashion at Pioneer Works, transforming the third floor into a cardboard-lined shipping container filled with studio portraits shot in Ho Chi Minh City, Vietnam, a growing fashion hub.
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The 2026 Color Collection from 3form highlights hues that have anchored design across generations and cultures for thousands of years. The brand's sixth grouping is a departure from last year's palette, which emphasized the emotional power of select shades. With the guiding theme "Color that Connects," the new line features tones that are celebrated by communities around the globe. Inspiration for the palette came from exploring natural pigments used to make certain colors, and how they were found in various locales over time.
"Me and my girlfriend went on color hunting in Berlin this weekend," user Erikas Mališauskas shared on X. "We picked two random colors and had to make a 3×3 photo grid featuring that color. I got yellow, she got blue, here's the result." Commenters rallied together in agreement, saying how good of an idea this is.
We examine the online debate ignited by Pantone's Colour of the Year, Cloud Dancer. This episode dives into the discussion prompted by Pantone, unpacking the uneasy relationship between colour and fascism. From hardline efforts to regulate colour in public life to the ways vibrancy and maximalism reassert themselves, we explore how colour becomes a quiet form of resistance across art, fashion, film, and design.
Its newest, though, is a single-fan book with more than 600 spot colors, and it's priced at just $99. Pantone for beginners. Pantone on Thursday announced its Pantone Capsule: Signature Edition. Housed in a collectible, cylindrical case that wouldn't look out of place in a Sephora, the guide is a sort of Pantone 101 that come on coated and uncoated paper stock with colors selected from across more than 60 years of Pantone history.
Architect-turned-interior designer Anh Ly, founder and CEO of Mim Concept, explains why the color surged in the first place: "Butter yellow had a magic moment because it felt optimistic and comforting, especially during a time when people were craving warmth at home." Now, that emotional pull is also what's working against it. "It fell short on resale since it's a very emotion-specific color. Buyers tend to see it as personal rather than neutral, which makes it harder for them to imagine themselves in the space," Ly adds.
One predictable pain point with contrast-color() is that it only returns black and white named colors. From a design systems perspective, that's not ideal because you want your colors. You want your harmonious brand and the colors you and your team spent thousands of man hours in meetings deciding on. Those colors. In fact, an earlier version of Safari had color-contrast() (confusing I know, naming is hard) which allowed you to pass in a list of best candidates to choose from. I beleive that proposal got mired in standards discussions, color contrast algorithms, and competing proposals; and contrast-color() is what survived which got simplified down to a binary result.
There was an outsider's embrace of French fashion standards in this show, like an open-top omnibus tour at breakneck, gendarme-enraging speed of tailored hooded boleros with sweet bows perched on the noggin like something by Marc Bohan or a young Hubert de Givenchy. There were zip-scarred bodycon dresses that I refuse to accept as anything other than homage to Azzedine Alaïa's seminal 1986 originals.
What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.