#mohammed-sami

#mohammed-sami

On Holy Saturday, as Palestinian Christians tried to reach the Church of the Holy Sepulchre, Israeli security forces started attacking and arresting them, demonstrating a clear violation of religious freedoms.

"In 'break bad (freddy flexing)' (2021), a slim man's attempt to exert physical strength instead displays his fragility. A gentleness in his eyes suggests truer strength beneath the performance."

Two hundred and fifty-six Quran memorisers—Palestinians who have committed the entire holy book to memory—sat in the place while companions beside them listened attentively, following each word carefully to ensure the recitation remained flawless. The gathering, titled Safwat Al-Huffaz—The Elite of Quran Memorisers, has become a special collective way of observing Ramadan in Gaza.

This project involved the reconstruction of a dilapidated building located in Guangzhou's old town along Tongfu Xi Road, a historic street established in 1926. Once vibrant, this area has suffered from significant neglect over the years, with many buildings falling into disrepair, creating safety hazards that forced both residents and businesses to leave.

Ali Sbeity painted vibrant portraits and landscapes of his rural hometown in Southern Lebanon, often sharing his works on his Facebook. He participated in numerous local arts exhibitions and created murals for schools in Beirut.

Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.

The moving story of a Tunisian man who refuses to let cancer define his mother's life and turns her treatment into a celebration of love, joy and resilience. When Tunisian TV host Hassen becomes a full-time caregiver for his mother Saliha, dying of lung cancer, their home and hospital visits become the backdrop for an intimate family love story. This observational documentary follows them through birthday celebrations, 4am medication, difficult medical consultations and quiet, emotional moments together.

Distance does not soften the terror. It only deepens my helplessness. In moments like this, I realize that geography is not measured in miles, but in attachment. War rearranges distance. These days I find myself returning to "The Conference of the Birds," the 12th-century poem by Attar of Nishapur, seeking meaning through ancient wisdom about spiritual journeys and transformation.

For Lowell There are things which, said and true, are of this generation's past; of fighting freedom's battles and of taking off the mask- stories of the actions taken, to blot out the blights of sin, how heroes and the valorous fought their enemies within, Would we be traitors to our bugle, which beckons with its call? - They won freedom for their people but in fine print said: be damned.

When you've written 23 books, it's a little frustrating to be known not even for a book, but for something that happened to a book in 1989—when that was my fifth published book and this is my 23rd. Can we please talk about books? I keep trying to say.

Director of Al Jazeera Digital News Jamal Elshayyal speaks to The Take on leading Al Jazeera's next era of journalism. At Web Summit Qatar, we hear from Jamal Elshayyal, Al Jazeera's new Director of Digital News Content, on forging his own path at the network and how those lessons will guide Al Jazeera through the AI age. In this episode: Jamal Elshayyal (@jamalelshayyal), Director, Al Jazeera Digital News Content Global Episode credits:

This targeting success surely owes much to advanced electronic surveillance and deep cyber penetration of Iran's weapons systems and infrastructure. But in this war, as in the 12-day war last year, Israel and the United States are obviously benefiting from intelligence from some Iranians themselves, who are willing to risk their lives to help bring down the Islamic Republic.

Sara in Southern Lebanon On the Ground Her video diary shares her two-year journey of escaping to Beirut, followed by the difficulties of trying to return home. This video diaries was produced in collaboration with the Global Reporting Centre. Video Duration 03 minutes 58 seconds 03:58 Video Duration 03 minutes 12 seconds 03:12 Video Duration 04 minutes 35 seconds 04:35 Video Duration 03 minutes 51 seconds 03:51

After years of operating from exile, Yemen's Saudi-backed, UN-recognised cabinet is spending Ramadan in Aden, a move that has coincided with improvements in basic services and a renewed sense of relief. Yet that relief was overshadowed by the deadly confrontation between security forces and antigovernment protesters, in which at least one person was killed.

I was nine years old, and I felt like I lost that childhood. I felt like I became a kid when I looked at a TV this morning. Burn that image into your mind, his mother told him, knowing the city would never be the same. It was 2003, and mere days later, the United States and its allies would launch their invasion of Iraq, raining airstrikes down on the city.

"The show is about giving the pen back to the writer, giving the paintbrush back to the artist, during this time of genocide," the Ridikkuluz told Hyperallergic in an interview at the gallery. "And when there's been so much censorship, these are artists that might not have been able to do this anywhere else."

find one another in the dark,

She moved before the pandemic, when gentrification with its huge skyscrapers and condominiums forced her out of Dumbo, Brooklyn. Between the kitchen and the upstairs room, in one corner of which lie part of the 5,000 pages of notes she took while writing it, Desai finished The Loneliness of Sonia and Sunny, the monumental, 19thcenturystyle novel she has spent nearly two decades on.

Daniyal Mueenuddin joins Deborah Treisman to discuss 'Two Pilgrims,' by Peter Taylor, which was published in The New Yorker in 1963.

Sounding amused, publisher Pramod Kapoor recalls the reaction of the Indian cricketing legend Bishen Singh Bedi when he learned Kapoor was printing 3,000 copies of his autobiography. Only 3,000? he protested. I fill stadiums with 50-60,000 people coming to see me play and you think that's all my book is going to sell? Kapoor, the founder of Roli Books, explains that Bedi's legions of admirers were unlikely to translate into book buyers. That was in 2021.

Unlike virtually all other non-European ethnicities, SWANA - or Middle Eastern/North African (MENA), as used in the show - is grouped under "White" on the US census. It's not just the census, though. It's medical forms, college applications, just about anything with a check box for ethnicity. Efforts have been made to change this, with some success. More institutions are adding a separate category on forms - and one might appear on the 2030 census.