#music-review

#music-review

With Never Enough, da Believer and Ryoda deliver a track that sits at the intersection of vulnerability and groove - a gently cinematic piece that finds its strength in restraint.

Yevgeny Sudbin's latest album, focusing on Scriabin's works, showcases his ability to capture the essence and technical challenges of Scriabin's music.

Sleep Token's recent album, Even in Arcadia, is a major departure from their metalcore roots, favoring sanitized pop-rap over traditional metal elements.

Georgia's entry, 'Freedom,' by Mariam Shengelia, despite her talent-show background, is burdened by a chaotic mix that overshadows its hopeful message.

The rapper's new solo album is a twisty horrorcore masterpiece where history and nightmares are indistinguishable, showcasing his craft against a spooky backdrop.

"I see clearly how it ends / I see the moon rise as the sun descends," they sing during opener "Sinatra Drive Breakdown."

The album takes its unusual title from Mary Shelley's Frankenstein, a source of inspiration. Drummer Greg Saunier describes the album as 'our low-budget, DIY Frankenstein: A sensitive, spurned, intelligent, dehumanized creature made out of people.'

Duckwrth's third studio album, All American F ckBoy*, obliterates genre lines, transforming into a sprawling 21-track sonic film exploring his psyche.

"Seventeen nights in this coffin/ No one cares if you've lost it/ When there's seventeen hands in your pocket."

Forever Is a Feeling is an account of coming to terms with feelings for Boygenius bandmate Julien Baker, blending passionate yearning with a mature perspective.

Kuning's music has long been immediately recognizable for its vivid colors and crisp lines, and he dials up the definition on Elvers Pass.

It doesn't take much convincing to give yourself up to the groove of a Curren$y track, letting his Nawlins drawl wash over you as the beat builds.

The Bay Area band Slinger self-identifies as emo, but their new single "Cold Water" suggests a broader musical identity, merging elements of '80s college and alt-rock.

Hekla plumbs the theremin's weird, otherworldly depths, channeling a particularly contemporary bleakness that tethers it firmly to the 21st century.

The sadder existence of the drifter is portrayed starkly, contrasting with the rambling gambler's compulsions and the drifter’s aimless abandonment to fate.

Without a moment to spare, the Philly death-metal extremists' first album in six years commences with what sounds like vocal cords being torn from someone's throat.

FKA Twigs's 'Two Weeks' showcases her experimental style blending electronica, R&B, and pop, highlighting her exploration of desire and womanhood.