A woman's relationship with Trader Joe's is abstract. It's like the way women see Trader Joe's, it's the way the aliens from 'Arrival' view time. Unlike most men—who make a beeline straight for the same blue-corn tortilla chips that have been there since pre-Obama—women swan dreamily through the store, guided by their foremothers toward the strangest possible products.
No one could accuse Fleming of tailoring his act to please a conventional audience. His stage attire lies somewhere between "androgynous hipster" and "clown," and his only criteria for a premise appears to be "What does my brain fixate on?" He expects his audience to keep up with any cultural reference his Massachusetts-born, millennial, Skidmore arts-graduate brain might make without ever stopping to explain what, say, "Gatsby-esque" might mean in the context of Bitmoji.
Ever feel like a LOSER? Beaten down by capitalism, the housing crisis, and little hope of getting ahead? "brilliant, well-observed character comedy" - Stage Whispers (Australia) Meet one Aussie bloke who can relate... He's crass, chain-smokes, blows his paycheck on KFC and Marvel tatts and stumbles into knife fights. This is Big Mike - a wiry, heart-on-his-sleeve barista with big plans, good intentions and a magnetism for tragedy.
Noises Off is a masterfully crafted comedy that takes you on a wild ride behind the scenes of a theatre company's disastrous production of a farce called Nothing On. As the eccentric cast navigates forgotten lines, misplaced props, and personal feuds, their performances become increasingly chaotic, with doors slamming shut at the wrong moments, sardines going missing, and romantic entanglements causing tension.
Some comedians are simply born funny. When Will Ferrell appeared on The Late Show earlier this summer, Stephen Colbert asked him to name who he saw at his first concert and he responded Roddy Ricch with a straight face. Just a hip-hop guy, about five years ago, he joked. My first concert. It was enough to bring me to tears, and Ferrell did it so easilylike King Midas, but if everything he touched burst into laughter.
This highly physical comedy about two competitive swimmers begins at the beginning not with a referee's whistle but a stand-alone aquatic opus racing through humans' evolution from fish. In caps, goggles and bathing suits, Alexander Burnett and Ellie Whittaker recount our abiding passion for the water, from the earliest forms of life to Napoleon diving into an especially wet misremembering of Waterloo,
