Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.
Charles Dickens's novels are often criticised for their idealised passive female characters, but as the Dickens Museum now shows, he was, in life and in death, surrounded by formidable, intelligent and independent women. A new exhibition at the museum shifts attention away from Dickens as a solitary genius and instead places women at the centre of his creative world and cultural afterlife.
Within a few blocks: 212 Cascadilla St. was the birthplace of "Roots" author Alex Haley and the childhood home of Tuskegee Airman Verdelle Louis Payne; the idea for Alpha Phi Alpha, the nation's first Black fraternity, was hatched at 421 N. Albany St.; and Nobel Prize-winner Toni Morrison, M.A. '55, lived upstairs at 513 N. Albany St. during the first year of her master's program at Cornell.