#shane-tracey

#shane-tracey

Oshatz worked on a monumental scale to represent underwater scenes, creating a full stage silk backdrop. He also designed hand painted silk waves that dancers moved across the stage.

The Grand Palais in Paris unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, featuring abundant examples of his celebrated gouache cut-outs.

The show features pieces by participants in JASA's programs. The organization, which serves more than 40,000 older adults every year, offers art classes and creative workshops designed to bring people together while encouraging self-expression. The results will be on full display here, from paintings and textile work to other handmade pieces that reflect the artists' personal stories and styles.

For much of his career, Ed Woodham has worked in performance art, public art, installation, and social practice - those forms created to engage communities outside the white cube.

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

Ong's work contains a deep reverence for the otherworldly, combining the remnants of ancestral knowledge with speculative visions to form a kind of personal myth-making. The title of their latest series, "Always Were", is intentionally fragmentary suggesting a temporal and grammatical ambiguity that points to the liminal nature of Ong's figures and the time and place they inhabit.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

Nine nights; Strange fruit brings together a new body of paintings by London-based artist Shaqúelle Whyte that trace the emotional and temporal reverberations of familial grief. Rather than unfolding as a linear account, the exhibition forms a constellation of moments that draw upon the Jamaican funerary tradition of Nine Nights and the historic resonance of the protest song 'Strange Fruit'. Across these works, figures fracture, double and ripple, compressing multiple temporalities within a single visual field.

Suspended within the exhibition space, the piece occupies the room with a soft mass of red and white textiles. Dense embroidery traces arteries and vessels across the surface, while clusters of beads and pearls gather along the contours. Even with this ambitious new scale, it maintains the tactile intimacy of Shin's smaller works.

Now, he celebrates his first major presentation in Latin America, in congruence with Mexico City Art Week 2026 and ZSONAMACO, showcasing on an ideal stage inside one of the city's most architecturally layered interiors. Titled The Resident, the site-responsive installation, created during a residency at the Diez Company house, transforms the historic showroom into an immersive tableau where more than 50 works negotiate the boundaries between collectible design, contemporary art, and spatial theater.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

The gallery's inaugural presentation marked the first time Australian First Nations art had been presented at TEFAF Maastricht, and with sales totaling nearly $1.4 million, further underscored the growing relevance and interest in the category. Building on the momentum of the 2025 presentation, D Lan Galleries will now focus on works dating from the 1970s through today by artists whose practices have shaped the evolution of Australian Indigenous art.

Since she graduated in the late 1980s, amid the Aids crisis, Opie has made portraits of her community, friends and family, adopting unflinching realism, saturated colours, and dramatic tonal contrasts from the 16th-century portrait painters. Many of Opie's most famous portraits included in her new exhibition at the National Portrait Gallery use these devices deliberately, a declaration that these people deserve, as the title of the show underlines, to be seen.

One recent weekday morning, the British painter Peter Doig arrived at a bonded warehouse-a cavernous brick building-about a mile south of the River Thames, but not subject to the import taxes of the United Kingdom. He buzzed through security and entered a windowless white room, where he settled in for a long day. Awaiting him were a series of etching prints that had been brought over from the United States to be signed by Doig before being put up for sale.

In 2014, Scottish artist Andy Scott made international headlines with the unveiling of his colossal dual horse-head sculptures, The Kelpies. Completed in late 2013, they are installed in the Helix park in Flakirk, Scotland, and each of the steel heads measures 98-feet high and weighs in at a whopping 300 tons. The works have become iconic in their own right, but also exemplary of Scott's practice, which takes focus on animal forms and employs the visually and thematically weighty materials of steel or bronze.

For their most ambitious exhibition to date, Rae-Yen Song 宋瑞渊 transforms Tramway's vast exhibition hall into a submerged cosmology shaped by ancestral mythologies, Daoism, collective ritual and multispecies kinship. In this phantasmagoric aqueous environment⁠-the most recent project in Song's ongoing world-building practice⁠-life is understood as cyclical, relational and continuously in flux. Titled '*~TUA~* 大眼 *~MAK~*', the exhibition comprises newly commissioned works in sculpture, textiles, printmaking, sound, light and moving image,

With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.