Film
fromwww.theguardian.com
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Viggo Mortensen and Kirsten Dunst star in a Patricia Highsmith adaptation set in 1960s Athens, exploring themes of deception and relationships.
Tattooed on Asia Kate Dillon's neck is "einfühlung," the German word for empathy. Not only is it a pretty bad*ss tattoo, it's also a guiding principal for an actor who strives to be a conduit for empathy in all their work, whether they're playing an inmate on Orange Is The New Black, a high-powered enforcer in John Wick: Chapter 3, or a financial analyst in the Showtime drama Billions, where they made history as the first non-binary main character an a mainstream American TV show.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Listen to the spectacular nonchalance with which she says, "Fine, I'll fuck you, but you have to bring someone who will open your ass for me." Or when she passes Elliot off to an out-of-town associate, with a "Screw her real good, but don't let her penetrate you, she's not that close a friend." Erika's a great, outsize character, and she's also an avatar for Araki's many gleeful provocations.
The Welsh-born actor had spent much of the decade living in the United States, where he split his time between the stage and the screen, building an utterly respectable career. He had played a compassionate doctor in David Lynch's The Elephant Man, a murderous ventriloquist in the cult thriller Magic, and the real-life convicted child murderer Bruno Hauptmann in the TV movie The Lindbergh Kidnapping Case, for which he had won his first Emmy.