Clad in a clean white upper with icy silver accents on the tongue and logos, the Kai 2 "White Phantom" brings serious energy whether you're on the court or out in the world. Its luminous, glow-in-the-dark sole isn't just a flashy party trick; it's a nod to players who continue to show up when the lights go out and the pressure is on.
Over the past few years, Aminé has emerged as one of New Balance's most creative collaborators. From his unique spin on the 740 to the versatile 610, his footwear partnerships have consistently blended personal storytelling with experimental style. This time, the artist takes on the ABZORB 2000, a silhouette rooted in early 2000s technical running shoes. Known for its full-length ABZORB cushioning and ABZORB SBS pods, the model delivers both comfort and innovation, making it a natural fit for Aminé's forward-thinking vision.
Pharrell Williams is keeping the pace relentless. Fresh off presenting his Fall/Winter 2025 Louis Vuitton Men's collection - where he linked up with longtime collaborator NIGO - the creative powerhouse slid another move onto the table: a brand-new sneaker with adidas, playfully dubbed the Jellyfish. The timing isn't coincidence either. Pharrell has been reasserting his influence across both luxury fashion and streetwear, and this latest drop shows how easily he shifts from one lane to the next without breaking stride.
This latest capsule from S.R. STUDIO. LA. CA. and OTW by Vans sees two of Vans' iconic silhouettes—the Old Skool 36 and the Authentic 44—drenched in Sterling Ruby's signature visual chaos.
The latest release under ADER ERROR's Significant line arrives with the theme 'Alter the Icon,' presenting the Chuck 70 as a design object for re-contextualization.
The Munchen silhouette is reinterpreted by size? and BILLY'S Tokyo, showcasing distinct cultural narratives while celebrating the sneaker's timelessness.
The collaboration breathes new life into the GEL-DS TRAINER 14, transforming it into a lifestyle sneaker that reflects Australiaâs stunning coastlines.
