Andy and Barbara are hard at work trying to come up with an idea for a story they'd want to tell for another season. It's not limbo other than they need to land on something they're excited by creatively. We'll be there.
Netflix and Universal were very kind to let me go direct Scream VII and put some projects on hold. Now I'm focused on those. The first is a TV show based in the Universal monster land. It won't skimp on Williamson's penchant for melodrama, either: he compared the project to an adult Vampire Diaries, which we've not really gotten from him before.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
Jamie Campbell Bower gave the standout performance as the big bad in the otherwise ho-hum fourth season of Stranger Things, and in this tawdry but fun occult-themed thriller, like Satan himself, he's back to his same old scene-stealing tricks. Once again, he's not the protagonist but a sinister figure first met literally in the shadows, making ominous pronouncements in that posh-boy accent. When finally revealed, he is dipping his chin and looking up with those uncannily blue eyes like a vogue dancer catching the spotlight. If he keeps at it with roles like this, he could be the Peter Cushing of modern horror, but with catwalk-queen hair, or the goth equivalent of the young Ralph Fiennes in his rent-a-villain era. What's not to love?
A caper is always better with two. Batman and Robin, Jake and Finn, Thelma and Louise. Why do you think Shaggy and Scooby were always paired together when the gang split up? This is especially true in comedy, with duos ranging from Laurel and Hardy to Key and Peele taking their place in comedy history. Now, a major comedy duo is reviving a classic horror-comedy made by their Old Hollywood equivalents, right down to reusing the title.