Danielle Mckinney's art captivates with its focus on intimacy and suspended time, much like Edward Hopper's iconic works. Both artists showcase solitary figures in their meticulously crafted settings, utilizing cinematic qualities of light and shadow. The combination of Mckinney's contemporary pieces with Hopper's classic paintings at TEFAF Maastricht highlights their emotional similarities despite working across over a century. Art critics emphasize their shared ability to evoke a reflective space where time is not measured by clocks, but rather experienced in the moments themselves.
The 'palpable presence' of light that curator Barbara Haskel identifies in Hopper's work is also present in Mckinney's intimate canvases.
They have a sound, they have juxtaposed universes that feel that time on a clock does not matter to either of these artists.
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