fromVulture
2 days agoOn Being Hooked: The Dinosaurs and The Monsters
Clocks, like live animals, are dangerous things to put onstage, because they so easily draw your eye away from the performers. In Jacob Perkins's The Dinosaurs, for instance, I caught myself glancing up at the circular plastic one at the left of the stage, frozen at about 15 minutes past the hour. The immobile hands are surely a design choice, one that layers a sense of unreality over the otherwise hyperreal rec room (designed by the nearly ubiquitous firm dots) where The Dinosaurs's characters gather.
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