Playwright Sarah Mantell critically views "The Merchant of Venice" as deeply problematic, prompting her to create "Everything That Never Happened," which retells the story from the perspectives of its lesser-known characters. This new interpretation focuses on Jessica, Lorenzo, and a more multifaceted Gobbo, while portraying Shylock as a caring father. Alongside Mantell's work, Lauren M. Gunderson’s "A Room in the Castle" seeks to reimagine "Hamlet" from female viewpoints, showcasing a broader trend in theater that renegotiates and critiques male-written classics for modern audiences.
Sarah Mantell expresses that "The Merchant of Venice" is a deeply antisemitic, sexist, and racist play, which deeply disturbed her after viewing it.
In her play "Everything That Never Happened," Sarah Mantell aims to retell "Merchant" from the perspectives of its marginalized characters, offering new insights.
Gunderson’s "A Room in the Castle" will explore different viewpoints in "Hamlet," focusing on the female characters of Ophelia and Gertrude.
The contemporary theatrical trend involves reshaping classic plays, as evident in works by Mantell and Gunderson, challenging traditional narratives.
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