The illustrator creates intense sensations and a cinematic feeling in his work by bringing movement to figures and environments. This movement enhances the human quality of his illustrations. He explores elements that transform serene scenes into narratives through a dreamlike lens characterized by bold colors and minimal compositions. His recent animation for the Olympic Games blends classic storytelling with immersive edits, adding layers of mystery and nostalgia. Each piece invites viewers to interpret the work uniquely, leaving them to ponder its comforting or unsettling qualities.
Movement breathes life into figures and environments; it stretches time, and brings back imperfections that speak to a more embodied, hands-on process. It makes things feel more human, more alive.
I filter them through a dreamlike lens: bold colours, simple shapes, minimal compositions, whilst always keeping an eye for detail.
I like the idea that my images remain a little-open ended, that it's not immediately clear whether they're comforting or unsettling. I believe each viewer brings their own reading to the work.
These developments have added an extra layer of mystery and nostalgia to his illustrator's world, there's now a little more time for us to rest in his scenes.
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