Carlos Acosta, running the Birmingham Royal Ballet for five years, stresses audience engagement as crucial for success, especially amid budget cuts from Birmingham City Council. Known for being a crowd-pleaser since winning the Prix de Lausanne, Acosta aims to produce virtuosic performances that thrill audiences. He has boldly commissioned new works, including the unique mix of Black Sabbath and ballet, and encourages his dancers to showcase their personalities. Acosta remains committed to advancing ballet's presence in the Midlands despite financial challenges, focusing on both box office success and artistic integrity.
Acosta emphasizes the importance of appealing to audiences, stating, "You have to learn from your audience," indicating a shift in how ballet companies must operate.
He proudly notes the boldness of his artistic direction, mentioning the uniquely collaborative work: "Black Sabbath: The Ballet, which tours to the US this summer..."
Acosta expresses his vision for Birmingham Royal Ballet, declaring, "From day one I said: This has to be a company of virtuosos," highlighting his focus on showcasing diverse talent.
Despite funding cuts, he remains dedicated, asserting, "I'm committed to the precarious business of helping ballet thrive in the Midlands," showcasing his passion for the art.
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