O'Neal's shadowy tableaus zero in on figurines of Black musicians, examining their forms and objecthood, reflecting a complex relationship with commodification and cultural exploitation.
The small figurines, known as sentimental souvenirs, are enlarged in the paintings, symbolizing the objectification and commodification of Black creativity within a capitalist system.
Dark and mysterious, the works often lack additional context, presenting the tchotchkes as the focal point against a monochrome background, akin to theatrical lighting.
O'Neal's compositions suggest various interpretations; figures are presented individually or ambiguously, encouraging contemplation on tradition, identity, and representation.
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