#art-exhibition

#art-exhibition

"The Longest Yarn" serves as a poignant tribute, featuring knitted doll dioramas that commemorate the bravery of those who participated in D-Day, connecting countries through art.

A modest pencil drawing of the head of Silenus, the earliest known work by Joseph Wright of Derby, will be publicly displayed for the first time.

Dalwood's recent works reinterpret historical events like Bloody Sunday and The Blitz, combining elements of art history with popular narrative for a modern perspective.

The Real Love: A New Musical features a 40-member cast and a 20-piece orchestra, revealing a powerful love story based on poetry by Supreme Master Ching Hai.

Join us at Ace Makerspace for the East Bay Open Studios on Saturday, May 31st, Sunday June 1st, Saturday June 7th and Sunday June 8th!

Repko weaves an ambiguity into her canvases through an abstraction of space, capturing her subjects in transition between past and future.

Sillman blurs the lines between curator and artist, essentially redefining her own artwork as an extension of the museum’s collection, resulting in an engaging dialogue.

Coniglio considers "No More I Love You's" as a poetic statement for the fraught times we are living in, embodying it through wounded figures and expressions of horror.

It's an honor to be able to showcase this quilt during this year's quilt show as we approach the 24th anniversary of Sept. 11.

Across more than 20 original pieces, including paintings, ceramics, and collage work, Oviedo channels a striking blend of nature and man-made interference.

Caspar David Friedrich's Wanderer Above the Sea of Fog captures a solitary figure poised on a rocky peak, symbolizing the search for truth amidst a transforming world.

Sheyla Baykal was a vital inhabitant of the downtown and underground art world of the '60s, '70s, and early '80s, serving as a visual historian.

Emma Stern's latest exhibition, 'Hell is Hot', showcases a provocative fusion of 3D modeling and oil painting that explores digital femininity and identity.

Sebastian Black's exhibition, Old Friends, at CLEARING Los Angeles features compelling repetition in painting, evoking architectural perfection and a connection to the Precisionism movement.

The compositional and narrative vocabulary of b-movie horror films is prevalent in Robin F. Williams' new work, exploring themes of fear and desire.

The 1880 exhibition at the Wellcome Collection, led by Christine Sun Kim and Thomas Mader, critiques the Milan Conference's detrimental impact on deaf education.