For over 40 years, Edward Burtynsky's photographs have used the privileges granted by perspective and access to chronicle the relentless effects human industry has on global society and the environment. Burtynsky's visual syntax provides more clarity than ever, transcending the limits of a screen to deliver scenes and immersive murals that provoke urgency and inspire a meticulous gauge of reality.
For well over a century it was a family secret: Vincent van Gogh's sister-in-law, Jo Bonger, had a short relationship with the Dutch Impressionist painter Isaac Israëls. Amsterdam's Van Gogh Museum has just published the surviving sent by Israëls to Bonger, and is presenting a about their "intimate friendship'. Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls (until 25 January 2026) is not just about the relationship, but equally importantly it covers its impact of Van Gogh's art on Israëls.
Carter's elegant, off-kilter forms articulate the alienating experience of life in the thick of political turmoil, drawing on references as disparate as jazz and Russian Constructivism.
"We reduced the exhibition footprint given over to British colonial imagery related to coastal and topographical surveys, which was part of the first iteration of the permanent gallery."
"Stairs, flower boxes, and mailboxes swell or shrink disproportionately, revealing the distortions of the artist's memory (that murky area where structural logic intermingles with emotional noise)."
Rauschenberg's radial use of media imagery and commercial printing techniques led critics to associate him with Pop artists such as Andy Warhol. Like Warhol, Rauschenberg was also enamored with contemporary culture.
Nima Nabavi’s exhibition, Roswell2223, showcases an 18-foot-long hand-drawn canvas that embodies spiritual intensity and meditative clarity through intricate geometrical forms.
Lynette Yiadom-Boakye's exhibition, To Improvise A Mountain, invites audiences on a personal journey through art, merging her work with various historical and contemporary artists.
The exhibition presents many artistic concepts that are aesthetically pleasing but not practical for large-scale commercial production, raising concerns about their real-world applicability.
"The group show celebrates the centenary of Cork Street, showcasing 15 galleries inspired by Jean Cocteau's controversial artwork, which faced censorship in the past."},{
In September 1985, Christo and Jeanne-Claude created a temporary public art project in Paris by wrapping the Pont Neuf, the oldest bridge in the city with gold-colored fabric.
