Sebastian Smee's biography sheds light on an episode where Edouard Manet patronizingly 'improved' Berthe Morisot's work, undermining her artistic autonomy; an early example of mansplaining.
Morisot's account reveals the painful experience of being interrupted and overwritten by Manet, highlighting the struggle female artists faced against male dominance in a male-centric art world.
This incident not only speaks to Morisot's talent but also to the societal norms of the time, where male figures often overshadowed the contributions of women in art.
Smee's exploration of Impressionism emphasizes the tumultuous backdrop of Paris that shaped these artists, reflecting broader socio-political issues within their works.
Collection
[
|
...
]