The glass negatives have tremendous documentary value—not only for the museum and the collection itself but also for the public. They provide a crucial visual record of significant artworks that were lost.
George Costakis spent three decades hunting down, and saving, thousands of Russian and Soviet avant-garde works of art-at a time when they were hidden, vilified by the state and at risk of disappearing into history.
Curt Goldschmidt's fate is shared with many Jewish collectors and patrons. With this restitution, we honour Jewish collectors and remember victims of Nazi persecution.
"We look at Europe in a global context and we like to highlight the ways that European artists and collectors traveled and traded with the world. Part of that is representing the people who lived in Europe but came from abroad," Adam Harris Levine, associate curator of European art at the AGO, said over email.
Mark Rothko and his first wife, Edith Sachar, put down roots in a small apartment within a Greek Revival townhouse in Manhattan's East Village neighborhood in the 1930s. There, the late abstract expressionist famously known for his color field technique created the painting titled 'Thru the Window.'
In Braque's paintings, collages, and prints, the polymath set out to distill bucolic landscapes and rural village scenes as broken up and then re-assembled geometric compositions; decidedly abstract yet still slightly recognizable representations. Through this revolutionary approach, he examined how objects could be depicted from multiple perspectives-multiple sources of light-as if superimposed portrayals of the same setting rendered at different times of day.
Born in Paris in 1936 to German-Jewish parents who fled the Nazis, his family survived the war in hiding in south-western France. Rosenberg first arrived at the Louvre in 1962, at the invitation of Charles de Gaulle's minister of culture, later heading up the department of paintings during the museum's dramatic relaunch in the 1980s and early 90s, symbolised by the 1989 completion of I.M. Pei's sculptural entrance, the Louvre Pyramid.
The history of art is the history of a continuum regularly shattered by revolutionary innovation, which in turn soon becomes absorbed into the continuum, and so it goes throughout the centuries. This process is evident in the new exhibition of works by the London-based Italian painter Patrizio di Massimo, all created between 2021 and 2026.
In 2024, art collector Christian Levett opened Europe's first museum dedicated to women artists in a little town in the south of France. But for those of us who can't make the trip to the Femmes Artistes du Musée de Mougins (Female Artists of the Mougins Museum, or FAMM), the American Federation of the Arts (AFA) has arranged the next best thing: a blockbuster touring exhibition about women artists of the Abstract Expressionist movement, featuring some of the highlights of the FAMM collection.
Modernism is pleased to present its second exhibition of collages by Eva Lake. In Relics of Beauty, striking images are constructed from an array of art history and archaeology photography paired with pop-culture imagery of 20th-century women. The result is a body of work that rewrites the historical record with softness and femininity, and challenges the pervasive societal notions surrounding beauty.
Renais­sance artist Albrecht Dür­er (1471-1528) nev­er saw a rhi­no him­self, but by rely­ing on eye­wit­ness descrip­tions of the one King Manuel I of Por­tu­gal intend­ed as a gift to the Pope, he man­aged to ren­der a fair­ly real­is­tic one, all things con­sid­ered.