"In the end we kept both copies, neither wanting to part with their own. And having two on the shelf seemed a clever reference to the notion of artistic duplication."
"The results were full of freaking treasures," Poundstone recalled. "Just stuff I had never seen and never would have expected to see. That was the beginning of this obsession to find more."
If you look at what are incontrovertibly penises in the tapestry, none of them have a yellow blob on the end. What I've shown is that this is a serious, learned attempt to comment on the conquest, albeit in code.
Vincent's conflicting emotions about Theo's engagement stemmed from his deep dependency on his brother, causing a unique blend of happiness and fear of loss.
When people think of the Middle Ages, they often picture gloomy castles, endless wars, poor sanitation and different kinds of plague. Rarely do they imagine belly laughs, fart jokes and scandalous tales of trickster wives, sexually frustrated priests and clueless husbands.
The portrait of a Roman model, coveted by future King Edward VII, showcases the delicate balance between art, personal desire, and historical significance.
"A lapidary is kind of like an encyclopedia of stones. They explain all sorts of what we would consider magical attributes of the stones, as well as straightforward information like its origin and physiology."