The article explores the architecture of spolia churches like San Giorgio in Velabro in Rome, where reused elements from older structures reflect both an artistic practice and the economic distress of their time. While spolia architecture faced historical criticism for its lack of cohesion compared to classical styles, it showcases a unique blend of styles and materials that mirror the complexity of Rome’s evolution post-antiquity. The Renaissance aimed to conceal reused elements, but spolia churches stand as authentic historical narratives through their mismatched aesthetics.
Spolia architecture features mismatched columns and oddities, showcasing the practice of reusing architectural materials, reflecting an era's economic struggles rather than a lack of artistic vision.
Renaissance architects strived to create cohesion by making the reused materials appear pristine, while medieval spolia churches reveal a more heterogeneous aesthetic that captures a complex history.
Collection
[
|
...
]