#architecture

#architecture

Foster's designs are constantly shaping how people live, work and play around the world. They've attempted to heal Germany's divided past via the Reichstag building in Berlin, and broken through feats of engineering by way of the Millennium Bridge in London, which ushered in a new era for the South Bank. His dynamic new gateways in Venice employ high-performance, lightweight materials to build new transportation infrastructure for the floating city.

"Harlem is a place like no other," she says. "This neighborhood is synonymous with creative innovation, cultural movements, and social revolutions."

While a book or piece of music can be easily set aside if it doesn't capture our interest, architecture is different. A building endures for decades, and it shapes the landscape and influences the lives of its occupants for years to come. This permanence brings with it a unique set of challenges: architects must design spaces that impact collective life, often under tight deadlines, limited budgets, and significant pressure.

The world is full of grand plans that were never completed-or eventual disappointments once they had been Both in Spain and around the world, some of the most interesting landmarks have degraded into contemporary architecture fails. In some cases, bold new projects have ended with buildings being returned to their previous states and uses, others remain uncompleted, and an unfortunate few have been condemned to be demolished.

Historically-like other cultural forms-architecture has been documented, shared, and promoted primarily through print. Books, journals, and magazines carried the discipline's arguments and images, and because architectural practice relies so heavily on visual communication, printed journals created a bridge between academic publications and commercial magazines. Through the postwar decades, beautifully produced volumes curated a collective point of view, signaling what the field broadly considered discussion-worthy or exemplary.

It was one step away from arbitrary that he chose architecture. He was looking at a catalog from the university of all the different fields, and he was interested in philosophy, but he chose architecture, because in the catalog it said it combined art history, drawing and mathematics. And he thought, 'Well, those are all things I like to do, and I'm good at it. I think that could be fun,'

As Brazilian philosopher Marilena Chauí reminds us, the word derives from the Latin colere, which means "to take care of." In that sense, agriculture means taking care of the soil, while religious cults are the care of the gods. At its core, culture is the creation of symbolic universes, expressed through different languages, including architecture, that weave connections across time.

The Robert Day Sciences Center has opened at Claremont McKenna College in Southern California, designed by Bjarke Ingels Group (BIG) as the first built project of the school's Roberts Campus masterplan. At 135,000 square feet, the new building extends the campus's north mall toward Ninth Street and Claremont Boulevard, forming a major gateway to the college and supporting a multidisciplinary approach to science and technology.

After Los Angeles native Aaron Leshtz earned his degree in architecture from the University of Southern California, he accepted a position at Studio Sofield in New York City. It was more than a job, but a pivotal period that left a lasting impression. "Stylistically it was very different from what I had done before or even studied in school," says Leshtz. "The work was varied, thoughtful, and always emphasized craft and materiality over anything else."

Barry Bergdoll is the Meyer Schapiro Professor of Art History at Columbia University, where he has taught for more than three decades. He is internationally recognized for his scholarship on the history of modern architecture and for his innovative curatorial projects. From 2007 to 2014, he served as Chief Curator of Architecture and Design at MoMA, organizing influential exhibitions such as Rising Currents: Projects for New York's Waterfront (2009-10), Foreclosed: Rehousing the American Dream (2012), and Latin America in Construction: Architecture 1955-1980 (2015).

In his Sailing Castle series, artist Cheng Tsung FENG envisions the urban landscape as an archipelago of ships at sea, where clusters of buildings resemble vessels gathered in harbor.

Terra Mater Factual Studios is a film production company that has made an international name for itself with nature films.

"An office should inspire - we aim to create a pleasant workspace that fuels creativity and reflects our identity as a design-driven practice." "A generous office." "For us, our office space is a home office away from home, with all the comforts of leisure but with the focus on work." "A place in which you can feel the group, the collective project. An atelier more than an office."

Archermit presents the Nujiang River 72 Turns Canyon Scenic Area in Tibet, an infrastructure that translates the peril and grandeur of the Sichuan-Tibet Highway into a visitor experience. Completed after six years of high-altitude construction, the project is located in Buze Village, Baxoi County, along the G318 Highway. It centers on a dramatic glass viewing platform cantilevered 37 meters from a cliff face above the Nujiang Grand Canyon, echoing the legendary hairpin bends of the 'devil's road', the 72 turns of Nujiang.

It is this iconic scene that architect Mark Monaghan says springs to mind when he thinks of his own home. "That's always stuck with me," he says. "From the outside, it looks like it should fit into its environment, but once you go inside, there's no reason why you can't have that feeling of space that most Irish houses just don't have."

NOT A HOTEL announces its latest iteration for the Japanese island of Yakushima, this time with architecture by Jean Nouvel. The lush, rain-soaked location for this upcoming boutique hotel is a UNESCO World Heritage site celebrated for its ancient cedar forests and shifting coastal weather. Commissioned by the hospitality brand NOT A HOTEL, the project will hide within a landscape defined by moss-covered rocks and misty green canopies.

Madrid has long been celebrated as a sanctuary for the Old Masters, a city where works by Picasso, Goya, and Bosch are revered in world-class museums. Yet over the past decade, the Spanish capital has been reshaping its artistic identity, carving out space in the global conversation around contemporary art. The latest - and perhaps most ambitious - development in this evolution is SOLO CSV, a new arts and culture space from the internationally renowned Madrileño project, SOLO.

Christian de Portzamparc has been announced as the recipient of the 2026 Andrée Putman Lifetime Achievement Award by the Créateurs Design Awards (CDA). The recognition honors his influence on architecture and urban planning, situating him among a lineage of practitioners whose work has shaped both the built environment and cultural discourse. The ceremony will be held in Paris on January 17, 2026, where de Portzamparc will accept the award in person.

He understood the power to empower people to embrace ideas gifted to us by nature. His creative vision for Eden was inspired by a handful of soap bubbles as biomes, to inspire the team to create the most elegant solution to address design challenges. They fit so well in the landscape that it is sometimes hard to know where landscape stops and buildings start. Without him there would be no Eden Project biomes,

Three days packed with inspiration: masterclasses, talks, workshops, roundtables, and exhibitions. Recipes and case studies from around the world show how urban (and social) innovation happens - and how the very idea of city-making is being stretched in bold new directions. More than 40 international guests, the most influential media, leading urban gurus, and Europe's sharpest city officials are all gathering in Turin to exchange ideas, tools, experiences, solutions, desires, and passions.

I don't love the exterior, but that's me,

In Plato's allegory of the cave, light symbolizes knowledge: it is what guides the human being out of the shadows of ignorance and toward truth. In many religions, light is also associated with divinity, as a manifestation of the sacred. Over time, light ceased to be merely a symbol of reason and became an instrument of sensitivity, a living material capable of shaping atmospheres, influencing perception, and revealing meaning.

Across the floor and walls sprawl grand mosaics and sculptures depicting lions, piles of gold, thunderbolts and ancient Roman gods. "When this building was created, it was designed as a working bank building. There were people coming and going all day," explains the Bank of England Museum's curator, Jenni Adam. "And immediately they were greeted with this sense of grandeur along with lots and lots of messages about what's happening in this site."

Architecture and design had already entered Taska Cleveland's field of vision when she studied painting at the San Francisco Art Institute. "My experience as a fine artist has been informative in the way I work now," says the LA-born talent, who struck out on her own three years ago after rising to the position of artistic director of the AD100 firm Studio Shamshiri.

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With expansive views over the San Francisco Bay and its signature rust orange color, it's no wonder the Golden Gate Bridge is one of the most iconic anywhere. In fact, its architecture is so quintessentially San Francisco, the bridge was named the most iconic bridge in the world by car rental company Sixt. Among its myriad of accomplishments, the bridge plays host to more than 100,000 cars every day