#angelos-togias

#angelos-togias

Using artificial intelligence, researchers analyzed The Baptism of Christ at the microscopic level, looking for trends in the texture of the paint at the resolution of a single paintbrush bristle.

The widespread practice of showing the Eid Al Adha slaughtering to children can desensitize them to violence, as many families take pride in this tradition.

The Rio-Antirrio Bridge, with its triangular sections resembling giant sails, is the world's longest multi-span cable-stayed bridge, spanning 2,880 meters across the Rion Strait. Completed in 2004, it transformed travel between the Peloponnese and mainland Greece, reducing ferry crossing times significantly. The views from the bridge are breathtaking, offering glimpses of the indigo waters and majestic mountain ranges.

The discovery of a few pages from an original edition of Hugo's work would then be a momentous event. This is precisely what specialists in Empedocles are experiencing today.

You can be alone, with a camera in your hand, and you can walk. In that moment, the medium sheds the expectations attached to narrative production. You don't need to have something specific in your mind. You don't need to have in mind that you have to do something with it at some point. This is freedom.

Alysa Liu became the youngest national champion in American figure skating at 13. She made the 2022 Olympic team at 16. And she hated it. After Beijing, she retired, threw her skates in a closet, enrolled at UCLA, and spent 18 months figuring out who she was when nobody was giving her a score. Then she walked into a rink, landed a triple like she had never left, and called her coaches.

At first sight, Winslow Homer's " The Brush Harrow," which depicts two young boys, a horse, and a harrow against an arid landscape, evokes a feeling of somber isolation - but it's hard to pinpoint why. During a talk by curator Horace D. Ballard at the Harvard Art Museums on Jan. 29, visitors learned that Homer painted the scene in 1865, as the Civil War was ending, making the emotional underpinnings of the work clearer.

A mentor once told me that, when writing a research statement for a professorship, I had to start with the most ambitious pitch I could imagine - and then go ten times bigger. It's tricky enough to do this as a cosmologist, given that the topic of study is the entire Universe. But there is a quest that is more ambitious still: to find out 'what are we doing here?'

An ancient Egyptian papyrus held by the British Museum has been cited as possible evidence supporting some of the Bible's most controversial claims about giants. The 3,300-year-old document, known as Anastasi I, has been in the museum's collection since 1839 and has recently resurfaced on the Associates for Biblical Research, renewing interest in its possible links to biblical accounts. The papyrus describes encounters with the Shosu people, said to stand 'four cubits or five cubits' tall, up to eight feet in height.

One tenet of classical idealism is the idea that Roman and Greek statuary embodied an ideal of pure whiteness-a misconception modern sculptors perpetuated for hundreds of years by making busts and statues in polished white marble. But the truth is that both Greek statues and their Roman counterparts were originally brightly painted in riotous color.

Some things are up to us and some are not. Up to us are judgment, inclination, desire, aversion - in short, whatever is our own doing. Not up to us are our bodies, possessions, reputations, public offices - in short, whatever is not our own doing. He then proceeds to tell us that a good life is one in which we focus on the things that are up to us while, at the same time, striving to develop an attitude of acceptance and equanimity for the things that are not up to us.

A conversation with Alicia Walker on the pseudo-Arabic inscriptions (or pseudo-kufic) that appear on a number of tenth- and eleventh-century churches in Greece, most notably at the monastery of Hosios Loukas. What did the Arabic script signify in Orthodox culture at the time if not tension with Islam? Alicia Walker is Professor of History of Art at Bryn Mawr College.

Many philosophers strike me as like Polish apparatchiks in 1983-they turn up to work and do what they did yesterday just because they don't know what else to do, not because they seriously believe in the system they are maintaining. I think it's not been fully appreciated how much of a blow it is to the confidence of the field's youth that scientific ambitions are increasingly abandoned as untenable.

This APA Blog series has broadly explored philosophy and technology with a throughline on the influence of technology and AI on well-being. This month's post brings those themes into focus recounting a vital Washington Post Opinion piece by friend of the APA Blog, Samuel Kimbriel. Samuel is the founding director of the Aspen Institute's Philosophy and Society Initiative and Editor at Large for Wisdom of Crowds. We collaborated on a Substack Newsletter about intellectual ambition, building on his essay, Thinking is Risky.