Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.
Each flower is made using balloon twisting or sculpting, where long, thin modeling inflatables are folded and locked into shapes. Making a single flower takes time and skill because these materials don't behave so well when twisted tight. In Ballooms' case, they're flexible and sturdy, enough to hold onto like a bouquet.
If you spend a lot of time in the kitchen, you may find yourself needing to use a lot of disposable plastic products, from plastic bags to plastic wrap. While these tools can come in handy once in a while, a lot of sustainability- and health-conscious home cooks try to avoid them as much as possible. There are concerns that chemicals leached from plastic wrap could cause health issues, and being disposable and decidedly not biodegradable, many view these types of food storage tools as bad for the environment as well (and a great way to cut down on plastic waste in the kitchen).
Wax London is here to get us all outdoors this spring with its new-season collection 'The Outside is On'. Keeping the brand's balance of timelessness, craft and wearability, the new collection is a celebration of the optimism of spring - and yes, that means colour.
Each piece begins with used coffee pods collected from my community, materials that were never meant to last beyond a single use. Before any design work begins, the pods must be cleaned, sanitized, flattened, cut, folded, and shaped entirely by hand. They arrive dented, stained, and inconsistent, carrying the marks of their previous life. Learning how to work with those imperfections, rather than erasing them, was one of my first challenges.
Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.
Small businesses operating in niche sectors often face a paradox: projects become increasingly complex and large-scale, while the company's structure and resources remain at the level of a small, independent workshop. This is especially evident in architectural offices, design studios, creative agencies, and workshops working with unique physical objects. A church woodcarving workshop performing a full cycle of work on the creation of iconostases and interior ensembles for churches serves as a representative case.
You'll spend the session painting your own candles, learning how to blend colours, build layers and add decorative accents to create a design that's totally your own - full romance, zero romance or something in between, it's up to you. You'll also design a handmade line-cut card, with guidance on layouts, lettering and finishing touches, so no prior crafty skills are needed.
At the end of November of 2011, I saw my dad take his last breath. I came back to the United States after participating in all the death-related rituals that helped organize my pain in México. New York City was not a place to live my mourning, and right around December of the same year, I felt an intense longing to become small again. I needed to work with children.
This research-based design project by Laura Oliveira investigates discarded as a potential raw material for sustainable design applications. Human hair is produced continuously and in large quantities through everyday grooming practices, yet it is almost always treated as waste once separated from the body and typically disposed of in landfills. Despite its material properties, strength, flexibility, and durability as a keratin-based protein fiber, its remains uncommon within design and research contexts.