fromThe New Yorker
23 hours agoMartin Puryear Changes the World Through Wood
'Sanctuary' is a reminder of just how singular an artist Puryear is. It's a serious work of contemporary art that seems to have fallen out of a fairy tale-not the monophonic Disney kind but the capricious, found-object kind collected by the Brothers Grimm, in which the moral is oblique, anything can come to life, and nobody leaves unscathed. Born in 1941, Puryear came of age at a time when sculpture was flexing its muscle through intimidating scale, conceptual rigor, and protractor-perfect geometries.
Arts