#gothic-aesthetic

#gothic-aesthetic

Guillermo del Toro's Frankenstein earned nine nominations ahead of the 98th Academy Awards, but he did not win the Best Picture award despite the film's success in other categories.

The zombie was actually a Haitian Vodou metaphor for slavery. For enslaved Africans in Caribbean colonies like Haiti, the theft of one's autonomy was akin to a walking death.

The influx of art-world characters had come and gone, albeit in reduced numbers due to the winter storms out east, and they had done their yearly duty of complaining to me about the traffic.

The mausoleum was designed by his wife in the shape of the tent they had spent so much time in while travelling around the Middle East, featuring a ladder at the back and a glass window to peer into the tomb itself.

ABODI Transylvania is a wearable art fashion house and living mythology created by Transylvanian-born designer Dora Abodi, rooted in Eastern European and Balkan folklore, gothic horror, and her own Szekler noble heritage. The brand's universe mixes couture, illustration, ceramics and sculpture into narrative garments populated by recurring mythical beings like the Unisus (four-headed dragon), Cat Mermaid, Animal Soul, eternal night Vampyr, Moon and Sun King, and time travellers.

Design is but a story. You may not realize it, yet every time you invest in a new sheet set, pick up a cozy blanket, or add a darling vintage tray to your nightstand, you're building a narrative for your space. Just like a novel, your bedroom is a page-by-page opportunity to embark on an adventure.

Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum. The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen's original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.

Netflix and Universal were very kind to let me go direct Scream VII and put some projects on hold. Now I'm focused on those. The first is a TV show based in the Universal monster land. It won't skimp on Williamson's penchant for melodrama, either: he compared the project to an adult Vampire Diaries, which we've not really gotten from him before.

Narrated by the wayward ghost of Mary Shelley, Gyllenhaal's loopy, overstuffed fable is maddeningly uneven and just plain mad, in both the furious and off-its-rocker sense. I liked it more than any movie I've also considered walking out of.

Upon going solo after White Zombie's breakup in the late '90s, the one-time noise-rock underdog became metal's demonoid phenom with 1998's Hellbilly Deluxe, a monster mosh of horror-themed industrial-metal that spawned the generational vampiric speedway anthem, "Dragula," along with several other Halloween playlist essentials.

While working on a graduate school paper on the mystical powers of coral, gemologist Anna Rasche ventured deep into the archives of the Cooper Hewitt Smithsonian Design Museum's library. Coral is the most powerful material to ward off the evil eye-a belief Italians have held since ancient times. Romans often gifted newborns coral amulets to prevent sickness and bad luck.

Abū Nuwās's poetry is sheer joy: it never fails to delight, surprise, and excite. His diwan, his collected poems, encompasses the principal early Abbasid poetic genres: panegyrics ( madīḥ), renunciant poems ( zuhdiyyāt), lampoons ( hijāʾ), hunting poems ( ṭardiyyāt), wine poems ( khamriyyāt), love poems ( ghazaliyyāt) to males ( mudhakkarāt) and females ( muʾannathāt), and transgressive verse ( mujūn).

In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.

In the weeks leading up to the film's release, the actress has been method dressing as her character Catherine Earnshaw, with the help of her go-to stylist, Andrew Mukamal. As expected from the duo responsible for the iconic Barbie press run (and, in turn, making pink a mainstay color trend for years), her new promo circuit is leading to a buzzy new trend: Brontë-core.

Looking to the Middle Ages for answers to the perennial puzzles of life can seem quaint, even artificial, a long reach across centuries marked by violence, hierarchy, and exclusion. And yet medieval culture offers a way of thinking about love that still speaks to the present. If love is most urgently tested in moments of strain and upheaval, then it is in those moments - where care is stressed or obscured - that its meaning comes most clearly into view.

In Emily Brontë's 1847 novel Wuthering Heights, the moors of Yorkshire are wet with rain, fog-and symbolism. The rugged landscape separating the titular home from the neighboring estate, Thrushcross Grange, represents danger and harshness, but also a kind of wild freedom for the star-crossed lovers Catherine and Heathcliff, who explore the land together in childhood and spend their adult lives yearning for each other.