#queer-cinema

#queer-cinema

In a moment of reckless abandon, Andreas swigs from a bottle of cleaning fluid, drawing closer to Jonathan, who somberly reminds him of the lifeless body in the bathtub.

Ryan Gilbey's new book, "It Used to Be Witches," intricately weaves memoir and criticism, exploring the intertwined relationship between cinema and sexuality.

"And sat down, and the lights came up, and a man stood up, and the movie had been out for a week and a half, and he said, 'I just want to say, this is my eleventh time seeing this movie.'"

I felt I owed it to myself to make an entrance in style.

Believe me, being naked around Jacob Elordi is intimidating! He's like a fucking god! He's too perfect! ... It's hard not to do a hot scene with Jacob shirtless!

"I think queer cinema has, kind of, been thriving, generally," says Mäkela, slowly and unconvincingly. He highlights the growth in stories told but emphasizes the need for more radical narratives.

Free club nights, arty markets, and a last chance exhibition make for an exciting weekend in London, despite pre-payday financial constraints.

"Now that we can get married, do we even want to?" the director asked in his opening remarks, highlighting the shifting perceptions of marriage in contemporary society.

LGBTQ+ artists and creators have paid tribute to Lynch, including Jane Schoenbrun, who remarked, 'He was the first to show me another world, a beautiful one of love and danger I sensed but had never seen outside sleep.'

Guadagnino's 'Call Me by Your Name' portrays queer desire in radiant sunlight, contrasting with his new film, where darkness dominates the quest for connection.

When the Pope suddenly dies and his successor must be found, the Cardinal finds himself entrenched in secrets and scandals worthy of the werk room.

Thesis On A Domestication tells the story of a successful trans actress who navigates her new life of love and family, challenging traditional values.

Paul Mescal expressed a desire to star in Sidney Lumet's 'Dog Day Afternoon', a film that resonated with him due to its queer themes and historical significance.

Ariana DeBose’s character in House Of Spoils navigates the complexities of running a haunted restaurant, blending her culinary artistry with supernatural challenges as food begins to rot mysteriously, hinting at deeper issues within the haunted kitchen.

"Strawberry & Chocolate asks large existential questions through the lens of a buddy comedy, contrasting an openly gay artist and a homophobic scholar on a journey of understanding."