#historic-ruins

#historic-ruins

Video mapping technology and 4K laser projection brings the altar's original vivid polychrome back to life, accompanied by narration, music and sound effects.

Hoi An's charm lies in its timeworn architecture and vibrant culture, with lantern-lit boats drifting along the Thu Bon River at night, creating a magical atmosphere.

"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."

"The ruins from the Middle Ages are part of our common history. With these grants, we are strengthening the work that makes it possible to preserve them, not only as historical traces, but also as living sources of knowledge for both researchers, craftsmen and local communities."

Ambulance for Monuments operates through a collaborative network of organizations and volunteers, redefining the role of the architect in heritage preservation by involving professionals, students, craftsmen, and local communities.

The Rio-Antirrio Bridge, with its triangular sections resembling giant sails, is the world's longest multi-span cable-stayed bridge, spanning 2,880 meters across the Rion Strait. Completed in 2004, it transformed travel between the Peloponnese and mainland Greece, reducing ferry crossing times significantly. The views from the bridge are breathtaking, offering glimpses of the indigo waters and majestic mountain ranges.

The designation prohibits the sites from being targeted or used for military purposes, with violations potentially constituting serious breaches of the 1954 Hague Convention and grounds for criminal responsibility.

The corrective fluid analysed using light infrared photography revealed a mixture of huntite and calcite, while images made using a 3D digital microscope show that there also are flecks of yellow orpiment, probably to make it blend in better with the fresh papyrus, which would have originally been pale cream in colour.

At least that's the mood director Gianfranco Rosi evokes in his mesmerizing documentary Pompei: Below the Clouds, which won a Special Jury Prize at the Venice Film Festival last year and is finally being released theatrically in the U.S., ahead of a March 27 streaming premiere on Mubi. The apocalypse Rosi presents is not just the legendary one that destroyed the ancient Roman town of the film's title but an ongoing one that encompasses the calamities of our modern era as well as the rejuvenation that sometimes accompanies destruction.

The most serious confirmed damage to date has been to Tehran's Golestan palace, dating back to the 14th century, and the 17th-century Chehel Sotoon palace in Isfahan. Judging from videos and public statements, neither historic building was hit by a missile directly but the shock wave from nearby blasts and possibly some missile debris, shattered glass and brought down tiles and masonry.

After the historical Iranian city of Isfahan was targeted by several major strikes, its governor Mehdi Jamalinejad claimed that serious damage had been inflicted even after blue shields were put on the roofs of culturally important buildings. This is an internationally recognized signal under the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict.

An enigmatic coin that someone used to board a British bus seven decades ago is now entering the collection of the Leeds Discovery Centre, following the revelation that it's a bit of 2,000 year old currency from the former Carthaginian trading settlement of Gadir, in modern-day Cádiz, Spain-one of Europe's longest-inhabited cities, settled by Phoenicians around 1,100 B.C.E.

Europe has never been short on spectacle. Yet beyond the headline cities and endlessly recycled itineraries lies a quieter, deeper continent; one that's best encountered through patience and a willingness to detour from the obvious itinerary. Our 7 wonders of Europe for 2026 in Europe are not places that beg for attention. Instead, they reward those prepared to explore more than a few miles from the nearest airport and linger a little longer than planned.

The two socketed axes were discovered last year by a metal detectorist who recognized that their careful positioning could not have been a natural process. He reported the find to the Westphalia-Lippe Regional Association (LWL). The subsequent excavation of the find site revealed a far more complex depositional context. Beneath the axes is a pit carved into the rock.

What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.

Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.

Archaeologists in Mexico have uncovered a 1,400-year-old tomb in the Central Valleys of Oaxaca that had been lost to history. The stone structure, built by the Zapotec culture, known as Be'ena'a, or 'The Cloud People', is adorned with sculptures, murals and carved symbols that suggest ritual significance. The Zapotec believed their ancestors descended from the clouds and that, in death, their souls returned to the heavens as spirits.

Archaeologists have discovered what they believe is the world's oldest known rock art, in a cave off the island of Sulawesi, Indonesia. The hand stencil has been dated to at least 67,800 years ago, making it 1,100 years older than the earliest example of rock art that was known about before this, produced in Spain by Neanderthals. The Sulawesi work may, its finders say, provide insights into the migration of early humans to Australia.

Both of the cyst graves feature funerary markers reused as building material. One of them contains the partially preserved tombstone of Legio I Italica centurion Gaius Valerius Verecundus was engraved with a wreath of which only traces remain and an inscription that describes him as having been heavily pressed by fate.

More than 200 scans from multiple satellites, including Italy's Cosmo-SkyMed and the US-based Capella Space, showed uniform results suggesting massive pillars about 65 feet in diameter wrapped in spirals and plunging nearly 4,000 feet deep. Those pillars appear to end in 260-foot cubic chambers beneath all three pyramids and the Sphinx, which Biondi described as 'huge chambers' measuring roughly 260 feet in length and width.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.

An monumental early Republican-era funerary complex has been discovered in a suburb of Rome. The excavation of the Via di Pietralata east of Rome also uncovered a stretch of an ancient road, a small cult building and two monumental basins dating back to the 3rd and 2nd centuries B.C. Remains from this early in the Republican era are scarce in the Eternal City, which make these finds very archaeologically significant.

While the bone was worn and poorly preserved, archaeologists managed to identify its origin by comparing it with modern elephant and mammoth bones. Despite there not being enough DNA to confirm the exact species, the researchers were able to carbon date a tiny sample of the bone. This places the elephant's death between the late fourth and early third centuries BC - right in the middle of the Second Punic War.

The remains of a monumental hall belonging to a 4th-century episcopal palace have been discovered at Ostia Antica, Rome's ancient port town. The base of the structure is eight by 20 meters (ca. 26 by 65 feet) and the walls were an estimated eight meters high. This is an extraordinarily large space, and it was richly decorated with mosaic floors and marble panels.

Adjacent to the masonry house is a burial ground in use from the 4th century through the first half of the 6th century. Approximately 60 individual inhumation burials have been unearthed, arranged in rows that are increasingly dense with graves as they approach the dwelling. The deceased were buried in cysts formed by reused tegulae (large clay roof tiles) or by rubble walls that supported wooden planks. They were placed in the graves in supine position facing west, north or south.