#knives-out

#knives-out

Remaking Robert Hamer's 1949 British classic Kind Hearts and Coronets—the greatest Ealing Studios comedy and, in my own fevered opinion, the greatest film of all time—needs the chutzpah of Cecilia Gimenez, the amateur Spanish artist who restored a painting of Christ and left him looking like a gibbon.

The Night ­Manager's second season grew in confidence and ambition with each episode, culminating in a Shakespearean finale that saved its most savage work for last. In six tragic minutes, it bumped off two, maybe three major characters like they were names on a ledger. Angela Burr - Olivia Colman's dogged intelligence operative - gunned down at her home in France, her young daughter close by.

We're deep into Strangers lore now, but last girl standing Maya (Riverdale graduate Madelaine Petsch, who surely hoped this was her Neve Campbell moment) continues to scurry about a devout woodland community like a bloodied fieldmouse with resting iPhone face; the masked thrill-killers previously three, now two have now gained ulterior motives for pursuing her. Also present: tatted survivor Gregory (Gabriel Basso, who must have been hoping for more to do) and ever-shifty Sheriff Rotter (Richard Brake), whose link to the killers is finally made.