#lee-grant

#lee-grant

The filmmakers followed D.O.A. frontman Joe Keithley during his 2022 reelection campaign to document the amount of work and commitment that goes into running for public office.

The request is made in her signature Aussie drawl, something that musicians attempting to break into the international market would attempt to disguise in decades previous. Yet for the Amyl and the Sniffers frontwoman, everything from her peroxide mullet to proudly bogan background has become an important hallmark.

Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS' workforce, have been unable to receive benefits. Wages aren't rising at the same rate as the cost of living.

'Congo's one of the great bad movies of our time! It's a great one. It's a delightmare. That's what I call it.'

"Rosanne Pel's Donkey Days is a darkly comic exploration of family dynamics, ingeniously blending Dogme-inspired naturalism with flashes of surrealism to create a work that is at once caustic and unexpectedly tender."

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

"Whenever you manage, through cinema, to cast doubt on the assumed nature of things, you might be approaching something really interesting. And when you have done that once, there's no way back."

Our planet is burning from human-made climate catastrophe, and we need to join together to confront this. Dear Everything is about the power of solidarity and it gives us the anthems we need for the job.

A recent tragedy-exploiting television series about John F. Kennedy Jr. and Carolyn Bessette features a character using my name and presents her as me. The choice to portray her as irritating, self-absorbed, whiny and inappropriate was no accident. But a real, living person is not a narrative device. Isn't it textbook misogyny to tear down one woman in order to build up another?

Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encourage new voices at his Sundance Institute. She then detailed their evolving relationship and recalled how the last time they had been in contact, the pair had told each other they loved one another.

We were so happy to see Alysa Liu win the gold medal in Milan yesterday. My husband just showed me that in 2019 she skated to my song Don't Rain on My Parade. I'm so proud of her. Don't Rain on my Parade is the song Streisand made famous in the Broadway musical, Funny Girl, and in its 1968 film adaptation, for which she won the Academy Award for best actress.

Moni Haworth directed the video for "Dirty Tech," in which the Sonic Youth legend hangs in an empty corporate office dotted with bits of office clutter.

burdened by loneliness, depression, and the incessant needs of others, pours herself a stiff drink and steps up to the noose she's hung from the rafters of her airy farmhouse. Then the phone rings: her ungrateful brother, making demands. She tries again-another ring, another request, this time from a friend. She plays the piano, doesn't she? Will she join a group of fellow-amateurs for a charity gig? Twice thwarted, Beth sighs, says yes, and gets on with the business of living.

My life completely changed with the birth of our daughter, Annie. I was a young mom at the end of 1986, and I was starting that impossible-to-describe work balance between personal life, motherhood, and work.

Institutionally, we still don't understand what inclusion means. Just because you invite someone into a space, but you don't provide the necessary resources to keep them and everyone else in that room safe by them being there, that's not inclusivity. That's exploitation. That man's disability got exploited that night, and it led to multiple offenses.

Now, Lambert is back with JennaWorld, which aired its final episode on Monday, January 26. It traces businesswoman and "Queen of Porn" Jenna Jameson's life - from growing up in Las Vegas and finding stability working in porn to going all the way to the industry's financial climax and her eventual awkward, messy comedown. Jameson typifies what Lambert calls the female anti-hero.

The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.