Two actors are wriggling across the stage on their bellies. They're earthworms, or maybe simply brothers, Cricket and Coyote, who want to become earthworms. They're planning to write a screenplay together, and one suggests making their movie about worms. But "I thought we were writing something about what it means to come from the same root," the other brother complains. "A movie, a Western, brothers killing men and running amuck in the desert."
Microplastics are to men what Norway is to whales#MeToo movement has been to men what ICC has been to Benjamin NetanyahuVatican has been to men what Vatican has been to priestsIslam has been to men what oil fields have been to comedyPop culture has been to men what Sear's Catalog has been to pop cultureJustice has been to men what justice has been to Germany what Germany has been to literaturewhat Germany has been to genocide
Early this year, Mark Zuckerberg made headlines by saying corporate culture needs more "masculine energy." This sentiment was echoed by Secretary of Defense Pete Hegseth's call for the military-an employer of 2.1 million Americans-to return to a "warrior ethos", promoting traditional masculine standards like aggression and athleticism. And yet, according to recent news reports, recruits at ICE (another workplace) are struggling to pass basic fitness tests, and Hegseth allegedly installed a makeup room at the Pentagon.
It's about the platforms that facilitate it, and how social media diverts attention away from things like reading and toward things that largely don't matter. Josh says it himself: in fairness, short-form content is slightly more engaging than Macbeth quotation flashcards. That's truly worrying. It's true that the education system can and should do better, but I also think we need reminding that young people have always felt alienated from the education system.
Paul Kooiker, known for his provocative and surreal exploration of the human body, identity and voyeurism, captures the spirit of the Washington DC punk scene in his portrait series of author, musician and filmmaker Ian Svenonius, who wears Tatras. Kooiker's story for Another Man Volume II Issue IV, will be showcased at Dover Street Market Paris during Paris Photo, alongside other shoots from the edition by JH Engström, Thomas Mailaender and Chardchakaj Waikawee.
The one thing I really couldn't get purchase on from your essay is I never got a sense of whether there were female virtues at all from your piece. If you want to know what I like about women. No, that's not my question. You can ask me. In fact, I invite you to commission from me an entire essay on the subject. What I like about women. My freelance rates are very reasonable. What do you like about women, Helen?
What is it all for, these early mornings and evenings in the park with her notebook? The bruises and the pain? She wonders about it many times, but is quiet, self-conscious. She does not spend too much time trying to answer the question. And whatever answers she comes by are less interesting, anyway, than the quality of the light at dawn, and the crash of bodies, and what she's recording in the notebook.
How do you like your men? Yes, obviously, we shouldn't be dismissively taxonomising a whole gender like boxed Barbies. But in the era of tradwives and nu-gen gold diggers, in which the manosphere remains alive and kick(box)ing, telling teenage boys lies about women, I reckon there's a way to go before we reach reductive objectification parity. Does that make it OK? No. Am I going to do it anyway? Yes, a bit.
A filmmaker who wanted to make a politically contentious movie couldn't do much better than to set it in mid-2020, when the United States, under the covid-19 lockdown and approaching a Presidential election, was tearing itself apart over masking mandates and then over the fallout from the killing of George Floyd. This is precisely what Ari Aster's recent film "Eddington" does, wading with apparent boldness into a slew of issues that remain divisive even five years on.
Rising from my seat at the front table, a familiar acid burn crawls up my throat. It's that failure lump I've carried for the past 16 months. Today is somber. My late wife Jane's celebration of life. She died just over a month ago after a 15‑month battle with leukemia. More than 250 friends and family members fill the room, waiting for me to deliver her eulogy.
"The romance of hair is too prolific a subject to be lightly handled." The evolution of facial hair acceptance reflects cultural attitudes that have shifted dramatically over the centuries, showing how societal norms dictate personal expression. This historical context reveals the complexities surrounding the idea of beards and mustaches, which once carried significant stigma but later became symbols of status and masculinity.
This could be a displacement activity to process the nervous energy. Additionally, oxytocin is the love hormone released through physical contact. Sometimes people will do things like stroke their beard to self-comfort.
Elliot Page has been included in teaching materials at Streatham Wells Primary School to exemplify positive masculinity, challenging harmful gender stereotypes and encouraging kindness, empathy, and emotional literacy.
"At this time of year, that means being out before the sun comes up, and being hypervigilant. And that was the first time I can remember that anyone tried to put me at ease."
Crispin illustrates how masculinity has transformed from idealized figures like Cary Grant to aggressive, desperate characters, exemplified in Michael Douglas' 1980s films.
Mattana's character, Owen, a particularly slick operator, immediately suggests a cleverly bloodless semantic argument about the definition of feminism—frame it as white and middle-class..."We believe feminism has failed women from the perspective that we are actually more feminist than the feminists,' he announces with self-satisfaction.