#music-release

#music-release

I'm not simply proud to be pansexual, non-binary, and queer. I'm proud to openly be that despite the violence and rejection I face.

On Curse, Nielson took inspiration from '70s and '80s Italian horror films and confronting 'the void.'

Jane Remover has expanded their discography with a new surprise track "Supernova" featuring Funeral, moving forward from their recent album "Revengeseekerz." This collaboration captures the artist's progression and creativity in the music scene.

Our lives and the way we exist in the world has been pushed further and further through negativity and hopelessness. 'Sacred' is our identity. Never lose hope.

Turnstile's free benefit concert in Baltimore aims to raise funds for homeless healthcare, showcasing their commitment to community support alongside their music.

"It's good to sign with Nuclear Blast Records. It's a good label home and we're ready to make some awesome recordings!" - Philip H. Anselmo

"Most of our music is genuinely inspired by our relationships to each other," explained synthesizer player Nick Panella.

In a statement, PinkPantheress called 'Stateside' her favorite song from Fancy That. 'It explores my growth as an artist,' she explained.

"The new song is pretty stripped down for the first two minutes, allowing lead singer Vessel's vocals to take center stage."

Car Seat Headrest's new song "CCF (I'm Gonna Stay with You)" opens their album The Scholars, exploring themes of memory and self-identity through character Beolco.

Grande has described 'Eternal Sunshine' as a concept album, drawing liberally from Michel Gondry's 'Eternal Sunshine of the Spotless Mind.' The 2004 sci-fi film stars Jim Carrey and Kate Winslet as ill-matched lovers who decide to erase their memories of each other, arguably dooming themselves to a never-ending loop of heartbreak.

'The Artroom Wonder' is an echo from my fourth year at senior school... We have dared to enter their conclave, and the music coming from it was intriguing.

In 'Savannah,' McRae blends personal insights with relatable themes, illustrating the journey of moving on through heartfelt lyrics and a poignant music video.

"Early in the writing and recording process, we realized we had a collection of songs with distinct energies yet equally meaningful to us. It became clear that we wanted to release them as two separate entities both from the same genus: Equus Asinus and Equus Caballus."

We went to expand the concept a bit, and include songs that were (in my opinion) emo-adjacent - as well as making it clear that 'dirt emo' doesn't have to be a specific genre, per se, but more a mood or style in which I perform/reinterpret a song.

Dillard's propulsive drumming lays the bedrock for a winding arrangement that opens with an upbeat punk/power-pop section that Osborne eventually steers into the Melvins' typically sludgy domain.