#new-movies

#new-movies

For the longest time, if a woman were present, it was as either a helpless sexualized object to be overcome like an obstacle, or won like a trophy.

The new consolidated studio will be led by Josh Mandel, previously CEO of The Mill, who will be taking on the new role of President of Advertising at Technicolor Creative Studios.

A time jump resets this show's character dynamics with Rue (Zendaya) working off her debt to a drug dealer and seemingly nearly all the series' other female characters engaged in sex work of some kind. Sam Levinson's vision of a woman's life is pretty depressing.

April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.

Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.

Under her leadership, Jackson said, 'The most important thing is to make sure that Film Forum continues its mission.' This reflects her commitment to the organization and its role in independent cinema.

A small-budget cult classic can be just as iconic as a major studio film if it speaks to audiences and evokes strong feelings.

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

I knew he was a legendary director and he was giving me a list of his movies like Raging Bull, Taxi Driver. Then he was like, 'You probably can't watch any of those quite yet, but there is this one movie I directed called Hugo.' A couple days later, in the mail, I received a copy of Hugo on Blu-ray from his office, which is really crazy.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

South by Southwest is not the only annual genre fest out there by any means, but its equal focus on film, music, and tech makes it nearly unmissable for many a genre fan. The Austin-set fest has almost too much to offer, however you slice it: Building one's schedule feels like a perpetual exercise in killing your darlings.

Each year, most films leave the festival without a distributor in place, and we've only seen a handful of sales so far despite Netflix, Neon, Searchlight, Focus, A24, and more all on the ground. Plus, newcomer distribution groups like Row K and Warners' independent label also landed in Utah to make an impression. Alas, many movies still need a home, and below, IndieWire rounds up the ones we think distributors will click with - some more intrepid than others, but all worthy of a hopefully big-screen landing place.