#noise-art

#noise-art

In 1962, the architect Buckminster Fuller envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous geodesic spheres that would naturally levitate in air warmed by the sun and be anchored to mountaintops.

Jarre stated that while the existing creative industries were freaking out over the technology, artists would use AI to create the cinema of tomorrow, the hip-hop of tomorrow, the techno of tomorrow, the rock'n'roll of tomorrow.

"Nature appears to have built the apparatus of rationality not just on top of the apparatus of biological regulation, but also from it and with it."

Franchise Freedom, which showed over this past weekend, builds on more than two decades of research into starling murmurations. Each drone responds to its neighbors through a shared set of behavioral rules, producing patterns that remain fluid yet legible.

Earlier this week BoC mailed mysterious VHS tapes to fans while enigmatic posters went up in London, New York, California, and other cities.

Vienna Teng blends genres like chamber folk, jazz, and electro-pop while homaging her heroes, including Paul Simon and Tori Amos.

Oneohtrix Point Never has released a two-track single, led by an original called 'Dim Stars.' The B-side, 'For Residue (Extended),' is a meditative version of the Tranquilizer track.

Korneffel develops a palette for each painting based on research and intuition, paying particular attention to the paint's viscosity and its capacity for making distinct kinds of marks.

Axel Willner's new album 'Now You Exist' features five songs of meditative ambient techno and drone, showcasing his signature sound and artistic evolution.

Fleeting Opulence transforms the Winter Garden and surrounding spaces into an immersive celebration of the natural world, featuring larger-than-life flowers and cherry blossoms.

Concrete Waves is the first in a new series by Werkdiscs capturing improvised musical conversations between two avant-garde icons, Actress and Suzanne Ciani.

For most of human history, night arrived as a planetary certainty. Darkness spread across landscapes, and the sky revealed thousands of stars. Today, that sky is disappearing. Artificial light spills upward from cities, scattering through the atmosphere and turning night into a permanent haze. Research mapping global sky brightness shows that more than 80 percent of humanity now lives under light-polluted skies, and the Milky Way has vanished from view for over a third of the world's population.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

The opener "Not Not Not" is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymmetrically, grooving like a flat tire.

Drummers' timekeeping is fluid; even at its most rocksteady, it's enlivened by tiny, imperceptible pauses and hiccups. Sequencers and drum machines, on the other hand, march in lockstep.

Her slowly shifting synthesizer compositions and quiet, meditative pieces for acoustic instruments continue to inspire a deep immersion in their audiences, and her recordings and writings have influenced multiple generations of musicians worldwide.

The Eski.Sub draws inspiration from the visual language of Brutalist architecture and the cultural atmosphere of UK grime music scene. The project examines the relationship between design, urban context, and emotional listening experiences, positioning the loudspeaker as both an audio device and a spatial object.

Tim Zha is looking for the soul in the machine. While some might hear Auto-Tune as masking a singer's humanity, the London-based artist filters his vocals to highlight technology's inseparability with our notions of self. This is ground well-trodden by Afrofuturist techno pioneers, Atlanta trappers, and PC Music hyperpoppers; for Zha, Auto-Tune represents what he calls the "coincidence of human subjectivity and the networked machine system."