Krakowski was almost the photo-negative of Calista Flockhart's title character: brassy, eccentric, unconcerned by others' opinions. Similarly, her character in 30 Rock, Jenna Maroney, acted as the bookend to Tina Fey's Liz Lemon, Krakowski untouched by self-awareness, Fey beset by it.
The mirrored chandelier that dangles ominously over Marianne Elliott's production of Les Liaisons Dangereuses is a true spectacle, even at a tech rehearsal. At nearly five metres wide, it's more than a third of the width of the National Theatre's vast Lyttelton stage.
Matthew Macfadyen started his career in a 1998 TV film adaptation of Wuthering Heights as Hareton Earnshaw, Heathcliff's whipped dog, and has been giving us brilliant incarnations of beta cucks ever since.
Robles repeatedly steals the show - as the best Lady of the Lakes do - with precise comic timing and delivery, impressively and intentionally over-the-top vocal work (which would given even "Songbird Supreme" Mariah Carey a run for the money) and an ability to both spoof and embrace full-throttle divadom.
It's his sort-of coming out story imbued with the trauma of losing his mother Amy to ovarian cancer, told via a 2000-slide PowerPoint presentation and finished off with a genuinely impressive magic trick (Sharp was a childhood magician). On the subject of finishing, it's an abundance of sordid sex tales that fill the gaps between Sharp's god-fearing childhood in America's south, and his mother's crushing death in 2010.
ARMY Twitter was aflutter with accusations that the warm-up comic for The Tonight Show Starring Jimmy Fallon made a racist joke. He said, 'Anybody here from the North? No? Nobody?' Fans interpreted that as being directed at the band, implying that one of them was from North Korea.
For Monty Python fans, this stuff is ageless and forever witty. The show opens with an in-joke for true fansโa narrator announces that the show is set in medieval England, but then the lights come up on the ensemble doing a song about Finland, 'The Fisch Schlapping Song,' complete with prop fish and slapping, which is framed as a brief misunderstanding.
He would refer to his father as ce salaud bourgeois (that bourgeois arsehole) and he delighted in telling me the story of being thrown out of school aged eight because he punched the gymnastics teacher who was trying to instil discipline into young boys by turning them into military martinets. Of the professions and attitudes that merited his ire the military, the church, hypocrisy, sham, inauthenticity, politicians, academics and fascists collaborateurs had a special place in his heart.
The New York Comedy Film Festival has announced the full lineup for its inaugural edition, running February 15-22, with screenings and events taking place at venues including Asylum NYC and the Baruch College Performing Arts Center. Spanning a full week, the festival aims to showcase the range of comedic storytelling on screen, from broad laughs to darker, more experimental takes, across features, shorts, series and documentaries.
They are exploring the nature of comedy and standup as a response to being a Palestinian now. This documentary follows the group as they attempt to put together a national tour, with shows in Ramallah, Nablus, Haifa, Nazareth and Jerusalem. In so doing, they encounter the basic problem of struggling through roadblocks, and sheer dismay and horror at the wholesale destruction of the war between Israel and Hamas.
Ever feel like a LOSER? Beaten down by capitalism, the housing crisis, and little hope of getting ahead? "brilliant, well-observed character comedy" - Stage Whispers (Australia) Meet one Aussie bloke who can relate... He's crass, chain-smokes, blows his paycheck on KFC and Marvel tatts and stumbles into knife fights. This is Big Mike - a wiry, heart-on-his-sleeve barista with big plans, good intentions and a magnetism for tragedy.
I was a smiley, happy child. I've had cerebral palsy since birth, so I've never known any other reality. At three years old I went to a disabled nursery connected to a disabled school, and I remember thinking, Why am I here? At the end of the day, the teacher brought my parents in and said, Rosie should be in a mainstream school.
A woman's relationship with Trader Joe's is abstract. It's like the way women see Trader Joe's, it's the way the aliens from 'Arrival' view time. Unlike most menโwho make a beeline straight for the same blue-corn tortilla chips that have been there since pre-Obamaโwomen swan dreamily through the store, guided by their foremothers toward the strangest possible products.
Anyone who spends untold hours surfing the Web for humorous content will eventually find the work of one Vladimir Shmondenko, a prankster who goes by the name Anatoly. He's developed a faithful following, and, as far as I can tell, makes a comfortable living entirely from his TikTok and YouTube videos.
Readers who saw my previous post will recall its focus on a recurring pattern of laughter and humor found during my deep dive into the humor of the Seinfeld series. I wondered why we tend to laugh at various things going into our bodies and tried to explain why we might be so inclined using the Mutual Vulnerability Theory of Laughter.
Welcome to Hecklers Welcome!, San Francisco's only stand-up show where you get to talk back. This is not your average comedy night-this is a full-blown verbal brawl, where comics come ready to spar and the audience gets a license to heckle. Got jokes? Bring 'em. Got beef? Air it. Think you're funnier than the pros? Talk back and find out.
Welcome to Hecklers Welcome!, San Francisco's only stand-up show where you get to talk back. This is not your average comedy night-this is a full-blown verbal brawl, where comics come ready to spar and the audience gets a license to heckle. Got jokes? Bring 'em. Got beef? Air it. Think you're funnier than the pros? Talk back and find out.
He had already picked on me several times for laughing too loud, too readily (that wasn't even a joke, he chastised me at one point). I was trying hard to suppress my laughter to hold it in, to hold it back, to not fully express the joy I was feeling. I was being somewhat successful. And then I wasn't. Everyone in the audience was laughing but I was laughing too much.