The Truth and Tragedy of Moriah Wilson on Netflix is so good. I've followed this case since day one, and I'm so glad they finally did a documentary that honours her life and brilliance as an athlete, not just the tragedy.
A time jump resets this show's character dynamics with Rue (Zendaya) working off her debt to a drug dealer and seemingly nearly all the series' other female characters engaged in sex work of some kind. Sam Levinson's vision of a woman's life is pretty depressing.
The Pitt is set in almost real time over a single shift in the overstretched emergency department of a busy Pittsburgh hospital, showcasing the chaos and urgency faced by healthcare professionals.
In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.
Emerald Fennell's adaptation of Emily Brontë's beloved novel has been driving people mad since the project was first announced. Now, you can see it for yourself. Margot Robbie and Jacob Elordi play Catherine Earnshaw and Heathcliff, two young adults ( their ages are questionable here) with a deeply destructive obsession with each other that only spirals further when the Lintons (Shazad Latif and a scene-stealing Alison Oliver) move in at Thrushcross Grange across from the Earnshaws at Wuthering Heights.
You would think Searchlight hoped for The Testament of Ann Lee to release widely in theaters with something to celebrate ( re: Oscar noms), but that campaign didn't quite take off. The lack of awards buzz shouldn't besmirch Amanda Seyfried's performance here, though, which is great. Plus, if you want to go to the movies this weekend, it's an incredibly better option than the Chris Pratt AI movie.
There's so much going on in the world, in our country, and hell, in our own work and family lives. Just because the headlines are straight out of a dystopian novel doesn't mean your kids stopped needing you to help with their homework. When our days are full of so many demands, no wonder we feel hyped up and anxious by the time the kids are in bed.
From sparks flying during The OC's Spider-Man snog to love stories so powerful they make you weep, Guardian writers have picked the television couples whose tales never fail to make hearts pound. Now we would like to hear yours. What is your favourite TV romance, and why? Share your favourite You can tell us your favourite TV romance using this form.
Ashes to ashes, dust to dust, pickup order to lack of renewal. Here we bid farewell to the canceled shows of 2026. Less than a month into the year (and last lunar year not even over) and shows are already starting to drop. This post will serve as living tribute to the TV we're going to miss in 2027. Don't cry because they're over, smile because hopefully there are some sort of residuals in place for the workers.
Jenny G. Zhang: After a series premiere that seemed to be received pretty well by viewers-although the diarrhea smash cut was certainly divisive-we open the second episode of A Knight of the Seven Kingdoms with another jump scare: big dong alert, courtesy of Ser Arlan of Pennytree, who is truly packing the heat. (While he is probably not a Best or a Worst Person in Westeros this week, he certainly deserves some kind of title.)
With that in mind, I asked the women of InsideHook to name the sexiest TV scenes of all time. (As you might expect, our picks include a lot of Heated Rivalry. Just let us have this.) To be clear, these aren't all sex scenes - sometimes a passionate kiss or even a situation where there's no actual touching but the sexual tension is too much to bear can be just as impactful, especially when it's something that's been built up and teased over multiple seasons.
The television show I'm most enjoying right now: There is a Hollywood story in David Niven's autobiography Bring on the Empty Horses, in which the screenwriter Charles MacArthur asks Charlie Chaplin how to make the comic pratfall scene of a person slipping on a banana peel new again. Chaplin suggests that MacArthur start with a lady walking down the street and cut to a shot of the banana peel on the sidewalk, which the lady steps over-right before she falls down a manhole.