The Sinking Chair, designed by Philipp Aduatz, skillfully integrates concrete and tinted epoxy resin to explore the relationship between solid and fluid forms. Presented at Milan Design Week 2025, the chair symbolizes the tension between permanence and impermanence, illustrating timeless architectural geometry alongside organic fluidity. The contrasting materials serve to create an illusion of the chair being partially submerged, enhancing the concept of stability transformed by dynamic movement. Its production involves sophisticated techniques, including 3D printing, and delivers a polished, high-gloss finish that accentuates both visual and tactile qualities.
The Sinking Chair embodies a striking visual contrast between its rigid concrete structure and the fluidity of the tinted epoxy resin, exploring themes of permanence and impermanence.
Inspired by the visual language of 'The Shining', the chair navigates architectural geometry and organic fluidity, symbolizing both stability and transformation through its unique design.
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