#afro-brazilian

#afro-brazilian

Discos Resaca approaches Cumbia as living art in constant evolution, deeply rooted in heritage. Founded in 2017 by accordionist and producer Ivan Flores, the collective has carved out its own space through live shows and limited vinyl runs, centered on hybrid Cumbia reflective of the region's diverse Latine communities.

Eshu's proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions.

The Korean wave or hallyu that brought the country's culture to the world has now well and truly engulfed Latin America.

Marcelo's first Selecao appearance came in a friendly against Wales that was played at White Hart Lane in September 2006. A 25-yard strike from Marcelo just after the hour mark put Brazil on their way that evening.

Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'

Eliades Ochoa's aura is so powerful that under the generous rays of sunlight streaming through the large window on this March morning, he evokes a Western film.

The Bandera Cimarrona, a flag conceived at the first edition of the International Summit of Afro-descendants in Puerto Rico in 2022, stands as a symbol of the resistance, the pursuit of freedom, and the strength of Afro-descendants on the island and throughout the Americas.

It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.

This free public event runs today from 11am to 4pm at Parque de los Pobladores on 510 S 1st Street in Downtown San Jose. You can gather with your family amid lively performances, interactive activities, and wellness resources that honor African and African ancestry heritage.

Michelle Paulin dances while instructing youth at the Dulce Tricolor Venezolano dance group at the Ariel Dance Studio in Campbell on Jan. 25, 2026. Dulce Tricolor, a Bay Area Venezuelan dance group founded in 2019, teaches children traditional folk dances while preserving culture, building community and offering a sense of home amid Venezuela's ongoing political and economic crisis. (Josie Lepe for KQED)

First performed in 1910 by Serge Diaghilev's Ballets Russes and adapted by George Balachine for New York City Ballet in 1949, Firebird was inspired by a Russian folk tale. The ballet tells the story of Prince Ivan, who captures the firebird, a creature who is part bird, part woman, and then lets her go.

A parade float praising Brazil's president Lula strode through Rio's Sambadrome, drawing contreversy and triggering lawsuits. A carnival float in Rio de Janeiro's world-famous carnival parade was the center of a controversy over Brazilian President Luiz Inacio Lula da Silva and his upcoming bid for reelection. Critics of the president accused him of improperly using the nation's high-profile Carnaval celebrations for political campaigning.

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.

In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.