Streaming hasn't killed physical media. It's made us crave it more. CDs are back in rotation, showing up in record stores, apartments, and design studios with a renewed sense of purpose.
Headliners include Pulp, playing a one-night-only show in the Royal Festival Hall, mixing new material with the classics, and Scritti Politti, who'll be bringing their leftfield pop energy across two sets.
The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Asha Bhosle entered the industry at just 10 years old with her debut performance in the Marathi film Maze Baal, showcasing her early talent and emotional depth.
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
Usually, my handbag is a medley of digital devices and life essentials my phone, iPad, chargers, keys, tampons. But lately, you're likely to also find a half-done newspaper crossword, a ton of stationery, the book I've restarted three times, and whatever scraps and trinkets I've picked up throughout the day to put in my scrapbook. Analog is back, and it feels like we need it more than ever.
Physical media sales, DVDs especially, are experiencing a new burst of popularity. After a decade of freefall, enthusiasm among Gen Z halved a 20 percent sales decline in 2024 to just 9 percent in 2025. Stores have noticed. The Times' Karla Gachet spoke with staff at cultural hubs like Cinefile and Vidiots to discover why 2026 is already shaping up to be their biggest year, with the latter renting a surprising 1,000 DVDs a week.
'We had a few songs that we were like, 'These are really good, these are genius, and we are the Spice Girls slash Destiny's Child,' said singer Ayden Mayeri in the documentary, on which she served as director.
I remember adults coming up to me and saying, 'Ohhh, Medeiros! Like Glenn Medeiros, the guy who sang that love song!' And then they start singing it in front of me," Lyric tells TODAY.com. "Older women would come up to me and say, 'Oh, he was a heartthrob!'
"When I read the fine print, it was 'an experience with REO Speedwagon's music.' It's none of the original members," Fletcher recalls. "I don't want to promote the show unless it's the real thing. I don't know why you would want to see that. It's just a cover band. To me, that's a little bit strange." He adds, with a sigh, "If there are no original members, who cares?"
The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.