Dooky Chase's Restaurant has been a culinary landmark in New Orleans, known for its signature dishes like fried chicken and gumbo, attracting celebrities and political figures alike.
Jimmy Buffett loved to weave his love of food, drink, and the spots that served them up with good vibes into his songs. Few musicians have made a bigger mark in the food world than Jimmy Buffett, when you think about it - look at his mega-hit 'Margaritaville' and the entire chain of restaurants it spawned.
Louisiana has a really great infrastructure for film, with really talented filmmakers. That's where I started my career, so I've done many films there. I came up in New Orleans in the art department, right before Katrina in 2004.
Bea is a neighborhood favorite. A mere 12-14 minute walk west from Times Square gives you enough distance to breathe normally again. Inside, it's low-lit and lively, with servers and bartenders who manage the pre-theater rush like they've seen it all a million times. The bar program is what sets Bea apart from others of its ilk with a short but sweet cocktail menu offering novelty and fun.
The idea of an Indian meat and three seemed like a perfect mash-up. The LUFU guys really put on a show. They had their tandoor in the parking lot and were making fresh naan for every plate.
It's a standard trope in portrayals of assimilated Jews to open with a scene built around a Christmas tree. That's how Tom Stoppard's " Leopoldstadt" and Alfred Uhry's " Last Night of Ballyhoo" begin, and also Ian Buruma's memoir about his grandparents, " Their Promised Land." The idea is, as soon as you show that, you've got the audience's full attention, especially if it's a Jewish audience, because it's so peculiar.
Prohibition was the nationwide ban on the sale, manufacturing, and transportation of alcohol in the United States from 1920 to 1933. During this period, gangsters and bootleggers produced illegal booze, smuggled it across state lines, and ran secret bars throughout the country. While some bars were raided by the authorities, others thrived as a result of deals with the police or extensive protective measures.
I'm chowing down on a mini King Cake, my breakfast. It's a braided cinnamon Danish sprinkled with purple, green, and gold edible glitter, with a cream cheese filling and a little plastic baby perched astride. The baby represents the infant Jesus and is said to bring luck (and an obligation to host the next fête, if he shows up in your slice.)
At first glance, Buck & Johnny's, a restaurant just outside Lafayette, Louisiana, looks unremarkable: a warehouse-like space with exposed brick, a large dance floor, and walls decorated with football helmets and old oil company signs. Then, a five-piece band strikes up in the corner. Louisiana zydeco rolls across the room, driven by accordion and the full-body washboard frottoir (a percussion instrument). Couples of all ages gravitate to the dance floor, stepping, spinning, and swaying with varying degrees of confidence.
Many of the great wonders of the world, from iconic buildings to national parks, are preserved and open to the public, but some are tucked away on private land where only a few can enjoy them. One such wonder-a natural spring-fed lake just an hour north of New Orleans-opened to the public for the first time last summer, giving Louisianans and visitors access to a surreal, bright-blue lake lined with white sand beaches.
Jamie Campbell Bower gave the standout performance as the big bad in the otherwise ho-hum fourth season of Stranger Things, and in this tawdry but fun occult-themed thriller, like Satan himself, he's back to his same old scene-stealing tricks. Once again, he's not the protagonist but a sinister figure first met literally in the shadows, making ominous pronouncements in that posh-boy accent. When finally revealed, he is dipping his chin and looking up with those uncannily blue eyes like a vogue dancer catching the spotlight. If he keeps at it with roles like this, he could be the Peter Cushing of modern horror, but with catwalk-queen hair, or the goth equivalent of the young Ralph Fiennes in his rent-a-villain era. What's not to love?